Pretty People

Regular price €40.99
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A32=Cynthia Fuchs
A32=Laura Isabel Serna
A32=Linda Ruth Williams
A32=Linda Williams
A32=Mary Beth Haralovich
A32=Melvin Donalson
A32=Mia Mask
A32=Murray Pomerance
A32=Tara McPherson
A32=Toby Miller
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B01=Anna Everett
Category1=Non-Fiction
Category=APB
Category=APF
Category=ATC
Category=ATF
Category=BGFA
Category=DNBF1
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_biography-true-stories
eq_isMigrated=2
eq_non-fiction
Language_English
NJ
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9780813552453
  • Weight: 426g
  • Dimensions: 156 x 235mm
  • Publication Date: 24 Apr 2012
  • Publisher: Rutgers University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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In the 1990s, American civil society got upended and reordered as many social, cultural, political, and economic institutions were changed forever. Pretty People examines a wide range of Hollywood icons who reflect how stardom in that decade was transformed as the nation itself was signaling significant changes to familiar ideas about gender, race, ethnicity, age, class, sexuality, and nationality.

Such actors as Denzel Washington, Andy Garcia, Halle Berry, Angela Bassett, Will Smith, Jennifer Lopez, and Antonio Banderas became bona fide movie stars who carried major films to amazing box-office success. Five of the decade’s top ten films were opened by three women—Julia Roberts, Jodie Foster, and Whoopi Goldberg. “Chick flick” entered the lexicon as Leonardo DiCaprio became the “King of the World,” ushering in the cult of the mega celebrity. Tom Hanks and Tom Cruise defined screen masculinity as stark contrasts between “the regular guy” and “the intense guy” while the roles of Michael Douglas exemplified the endangered “Average White Male.” A fascinating composite portrait of 1990s Hollywood and its stars, this collection marks the changes to stardom and society at century’s end.

ANNA EVERETT is a professor of film and media studies at the University of California, Santa Barbara. She is the author of Returning the Gaze: A Genealogy of Black Film Criticism, 1909–1949 and Digital Diaspora: A Race for Cyberspace and founding editor of the journal Screening Noir.