Virtual Liturgy and Ritual Artifacts in Medieval and Early Modern Studies

Regular price €142.99
A01=Katharine D. Scherff
A01=Katharine Scherff
Acoustic Space
Age Group_Uncategorized
Age Group_Uncategorized
altar
Altar Decorations
altarpiece
Andrea Di
art history
Author_Katharine D. Scherff
Author_Katharine Scherff
automatic-update
Bavo Cathedral
Bernardo Daddi
Bonaventura Berlinghieri
Category1=Non-Fiction
Category=ACK
Category=AGA
Category=AMX
Category=HBLH
Category=HRAX
Category=QRAX
Christ Child
Christianity
church
COP=United Kingdom
cult
Delivery_Pre-order
early modern art
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
Europe
Ghent Altarpiece
Gloria Laus
Language_English
Lippo Memmi
Liturgical Performance
Loca Sancta
Madonna
Madonna Della Misericordia
Madonna Delle Grazie
Maestà
Maiestas Domini
Marian
media
mediation
medieval art
Medieval Media
Middle Ages
Musei Vaticani
music
Mystic Lamb
objects
PA=Temporarily unavailable
Price_€100 and above
PS=Active
relics
Religious Technology
reliquaries
ritual
Rogier Van Der Weyden
Rucellai Madonna
Shrine Madonna
singing
softlaunch
Staatliche Museen
technology
theory
Van Eyck
Van Eyck’s Ghent Altarpiece
Vice Versa
Virtual Pilgrimage
vièrge ouvrante

Product details

  • ISBN 9781032274560
  • Weight: 453g
  • Dimensions: 174 x 246mm
  • Publication Date: 03 Mar 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Examining the history of altar decorations, this study of the visual liturgy grapples with many of the previous theoretical frameworks to reveal the evolution and function of these ritual objects.

Using an interdisciplinary approach, this book uses traditional art-historical methodologies and media technology theory to reexamine ritual objects. Previous analysis has not considered the in-between nature of these objects as deliberate and virtual conduits to the divine. The liturgy, the altarpiece, the altar environment, relics, and their reliquaries are media. In a series of case studies, several objects tell a different story about culture and society in medieval Europe. In essence, they reveal that media and media technologies generate and modulate the individual and collective structure of feelings of sacredness among assemblages of humans and nonhumans.

The book will be of interest to scholars working in art history, medieval studies, early modern studies, and architectural history.

Katharine D. Scherff is Postdoc Lecturer and teaches for the School of Art and the Medieval and Renaissance Studies Center at Texas Tech University.