Refiguring the Real
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A01=Christopher Braider
Adage
Aerial perspective
Aestheticism
Aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
Allegory
Ambivalence
Anamorphosis
Anecdote
Anthropomorphism
Antithesis
Author_Christopher Braider
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Caravaggio
Category1=Non-Fiction
Category=ACN
Category=ACQ
Category=AGA
Catharism
Classicism
COP=United States
Counter-Reformation
Delivery_Delivery within 10-20 working days
Emblem
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
Erudition
Et in Arcadia ego
Family resemblance
Fine art
Francis Bacon (artist)
Giorgione
Grisaille
Hierarchy of genres
High Renaissance
History painting
Hubert van Eyck
Iconoclasm
Iconography
Iconology
Idealism
Jacques Derrida
Jan Steen
Jan van Eyck
Jean de Meun
Language_English
Las Meninas
Literature
Materialism
Metaphysical poets
Mock-heroic
Modernism
Modernity
Narrative
Neoclassicism
Nicolas Poussin
Nominalism
PA=Available
Palinode
Paragone
Philosophy
Physiognomy
Poetry
Price_€50 to €100
PS=Active
Rembrandt
Renaissance art
Rhetoric
Rococo
Rogier van der Weyden
Romanticism
Samson Agonistes
Scholasticism
Sensualism
Sentimentality
Sic et Non
softlaunch
Spirituality
Superiority (short story)
The Art of Painting
The Philosopher
Theory of art
Titian
Ut pictura poesis
Western painting
Writing
Product details
- ISBN 9780691600291
- Weight: 454g
- Dimensions: 152 x 235mm
- Publication Date: 08 Mar 2015
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture--particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understanding of how both painted and written cultural texts shape our perceptions of the world at large. Throughout Braider draws on works by such painters as van der Weyden, Bruegel the Elder, Steen, Vermeer, Rembrandt, and Poussin, and addresses such topics as the Incarnation of the Word in Christ, the elegiac foundations of Enlightenment aesthetics, and the rivalry between northern and southern art.
His goal is not only to reexamine important aesthetic issues but also to offer a new perspective on the general intellectual and cultural history of the modern West. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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