Phenomenology of Modern Art

Regular price €52.99
A01=Paul Crowther
A01=Professor Paul Crowther
Age Group_Uncategorized
Age Group_Uncategorized
Author_Paul Crowther
Author_Professor Paul Crowther
automatic-update
Category1=Non-Fiction
Category=ABA
Category=ACX
Category=AGA
Category=HPCF3
Category=HPN
Category=QDHR5
Category=QDTN
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_isMigrated=2
eq_non-fiction
Language_English
PA=Temporarily unavailable
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781441142580
  • Weight: 540g
  • Dimensions: 138 x 216mm
  • Publication Date: 05 Jul 2012
  • Publisher: Continuum Publishing Corporation
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

This is the first sustained phenomenological approach to modern art, taking a new approach and drawing upon an unusual selection of thinkers. As a philosophical approach, phenomenology is concerned with structure in how phenomena are experienced. "The Phenomenology of Modern Art" uses phenomenological insights to explain the significance of style in modern art, most notably in Impressionism, Expressionism, Cezanne and Cubism, Duchampian conceptualism and abstract art. Paul Crowther explores this thematic in a new way, addressing specific visual artworks and tendencies in detail and introducing a new methodology - post-analytic phenomenology. It is this more critical, post-analytic orientation that allows the book to utilise some unexpected phenomenological resources. Gilles Deleuze, rarely associated with phenomenology, in fact employs an overriding phenomenological orientation in his focus on modern art. Crowther uses Deleuze's important phenomenological insights as a starting point and goes on to develop arguments found in two other thinkers, Nietzsche and Merleau-Ponty, as well as addressing those figures and tendencies in relation to whom twentieth-century critical appropriations of Kant have been most influential. Illustrated throughout, the book offers the first sustained phenomenological approach to modern art.
Paul Crowther is Professor of Philosophy at the National University of Ireland, Galway.