Jesus and Mary Chain's Psychocandy

Regular price €15.99
Regular price €16.99 Sale Sale price €15.99
A01=Paula Mejia
Age Group_Uncategorized
Age Group_Uncategorized
Author_Paula Mejia
automatic-update
Category1=Non-Fiction
Category=AVGP
Category=AVGU
Category=AVH
Category=AVLP
Category=AVN
Category=AVP
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_isMigrated=2
eq_music
eq_non-fiction
Language_English
PA=Available
Price_€10 to €20
PS=Active
softlaunch

Product details

  • ISBN 9781628929508
  • Weight: 132g
  • Dimensions: 121 x 165mm
  • Publication Date: 20 Oct 2016
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days
: On Backorder

Will Deliver When Available
: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

The Jesus and Mary Chain’s swooning debut Psychocandy seared through the underground and through the pop charts, shifting the role of noise within pop music forever. Post-punk and pro-confusion, Psychocandy became the sound of a generation poised on the brink of revolution, establishing Creation Records as a tastemaking entity in the process. The Scottish band’s notorious live performances were both punishingly loud and riot-spurring, inevitably acting as socio-political commentary on tensions emergent in mid-1980s Britain. Through caustic clangs and feedback channeling the rage of the working-class who’d had enough, Psychocandy gestures toward the perverse pleasure in having your eardrums exploded and loudness as a politics within itself.

Yet Psychocandy’s blackened candy heart center – calling out to phantoms Candy and Honey with an unsettling charm – makes it a pop album to the core, and not unlike the sugarcoated sounds the Ronettes became famous for in the 1960s. The Jesus and Mary Chain expertly carved out a place where depravity and sweetness entwined, emerging from the isolating underground of suburban Scotland grasping the distinct sound of a generation, apathetic and uncertain. The irresistible Psychocandy emerged as a clairvoyant account of struggle and sweetness that still causes us to grapple with pop music’s relation to ourselves.

Paula Mejia is a writer, journalist and critic. Her work has appeared in The Criterion Collection, NPR, The New Yorker, The New York Times, Rolling Stone and other publications.