Pietro Bembo on Etna
★★★★★
★★★★★
Regular price
€105.99
Regular price
€106.99
Sale
Sale price
€105.99
A01=Gareth D. Williams
Age Group_Uncategorized
Age Group_Uncategorized
Author_Gareth D. Williams
automatic-update
Category1=Non-Fiction
Category=ACG
Category=ACND
Category=AGA
Category=DSBB
Category=HBLA1
Category=NHC
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_non-fiction
humanism
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9780190272296
- Weight: 794g
- Dimensions: 160 x 236mm
- Publication Date: 31 Aug 2017
- Publisher: Oxford University Press Inc
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.
Gareth D. Williams is Violin Family Professor of Classics, Columbia University. His previous OUP publications include The Cosmic Viewpoint (2016) and Roman Reflections (with Katharina Volk, 2015).
Qty: