Travel and Colonialism in 21st Century Romantic Historical Fiction
Romantic fiction has often involved stories of travel. In narratives of the journey towards love, "romance" often involves encounters with "exotic" places and peoples. When history is invoked in such stories, the past itself is exoticised and treated as "other" to the present to serve the purposes of romanticisation: a narrative strategy by which all manner of things – settings, characters, costumes, customs, consumables – are made to perform a luxuriant otherness that amplifies the experience of love. This volume questions the reparative function of Anglophone romantic historical fiction to ask: can plots of travel and discourses of tourism empower women while narrating stories of healing for the wounds of the past? This is the first volume to consider how romanticised and exoticised women’s historical fiction not only serves the purposes of armchair travel but may also replicate colonial discourse, unintentionally positioning readers as neocolonial, neo-Orientalist cultural voyeurs as well as voyagers.
Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license
Paloma Fresno-Calleja is Professor of English at the University of the Balearic Islands. Her research focuses on New Zealand and Pacific literatures on which she has published book chapters and articles in a number of international journals. She is co-editor (with Hsu-Ming Teo) of Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History (2024), (with Janet Wilson) of Beyond Borders: New Zealand Literature in the Global Marketplace (Routledge, 2023) and (with Melissa Kennedy) of a special issue of Interventions: International Journal of Postcolonial Studies, "Island Narratives of Persistence and Resistance" (2023). She has been lead researcher of two research projects devoted to the study of popular romance and financed by the Spanish government: "The politics, aesthetics and marketing of literary formulae in popular women’s fiction: History, Exoticism and Romance" (2016–2020), and "Romance for Change: Diversity, Intersectionality and Affective Reparation in Contemporary Romantic Narratives" (2022–2025).
Hsu-Ming Teo is Professor of Literature and Creative Writing at Macquarie University, Australia. Her publications include Desert Passions: Orientalism and Romance Novels (2012) and the edited book The Popular Culture of Romantic Love in Australia (2017). She co-edited Conflict and Colonialism in 21st Century Romantic Historical Fiction: Repairing the Past, Repurposing History (2024) with Paloma Fresno-Calleja, The Routledge Research Companion to Popular Romance Fiction (2020) with Jayashree Kamblé and Eric Murphy Selinger, and Cultural History in Australia (2003) with Richard White. She has published widely on popular romance, romantic love, Orientalism, imperialism, historical fiction, and popular culture.