Blackness in Opera

Regular price €36.50
A23=Guthrie Ramsey
A32=Frederick Delius
A32=George Shirley
A32=Gwynne Kuhner Brown
A32=Melinda Boyd
A32=Naomi Andre
A32=William Grant Still
adaptation
African American cultural history
African American culture
African American music
African American opera
Age Group_Uncategorized
Age Group_Uncategorized
Aida
automatic-update
B01=Eric Saylor
B01=Karen M. Bryan
B01=Naomi Andre
black cultural history
black culture
black music
black opera
blackface
blackness
blackness and music
blackness and opera
Blue Steel
Category1=Non-Fiction
Category=AVGC9
Category=AVLF
Category=JBSL
Category=JFSL3
Christopher R. Gauthier
Clarence Cameron White
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_isMigrated=2
eq_music
eq_non-fiction
eq_society-politics
Eric Saylor
film
Gayle Murchison
George Shirly
Guthrie P. Ramsey Jr.
Gwynne Kuhner Brown
Jennifer McFarlane-Harris
Karen M. Bryan
Koanga
Language_English
Melinda Boyd
Melissa J. de Graaf
movie musical
movies
music
music history
musical film
musical theater
musical theatre
musicals
Naomi André
opera
opera history
Ouanga
PA=Available
Porgy and Bess
Price_€20 to €50
PS=Active
race
race and music
race and opera
representation
Sarah Schmalenberger
softlaunch
theater
theatre
Treemonisha
William Grant Sill

Product details

  • ISBN 9780252036781
  • Weight: 626g
  • Dimensions: 156 x 235mm
  • Publication Date: 23 Feb 2012
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Naomi André is an associate professor of women's studies at the University of Michigan. Karen M. Bryan is a professor and chair of the department of music at the University of Arkansas at Little Rock. Eric Saylor is an associate professor of musicology at Drake University.