18th Century
A01=Molly Peacock
Age Group_Uncategorized
Age Group_Uncategorized
Art history
Artistic process
Author_Molly Peacock
automatic-update
Botanical art
Botany
Britain
British Museum
Category1=Non-Fiction
Category=ACQ
Category=AFJ
Category=AFJD
Category=AGA
Category=AGB
Category=BGF
Category=DNBF
Collage
COP=United States
Delivery_Pre-order
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Flora Delanica
Flowers
Historical figure
illustrations
Inspiration
Language_English
Life story
Mixed-media
nature
PA=Temporarily unavailable
Paper craft
Price_€10 to €20
PS=Active
softlaunch
Visual arts
Women artists
Product details
- ISBN 9781608196975
- Weight: 620g
- Dimensions: 126 x 202mm
- Publication Date: 11 Aug 2016
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Delivery/Collection within 10-20 working days
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In 1772, upon the death of her second husband, Mary Delany arose from her grief, picked up a pair of scissors, and, at the age of seventy-two, created a new art form: mixed-media collage. Over the next decade, Mrs. Delany produced an astonishing 985 botanically correct, breathtaking cut-paper flowers, now housed in the British Museum and referred to as the Flora Delanica. As she tracks the extraordinary life of Delany-friend of George Frideric Handel and Jonathan Swift-internationally acclaimed poet Molly Peacock weaves in delicate parallels in her own life and, in doing so, creates a profound and beautiful examination of the nature of creativity and art. This gorgeously designed book, featuring thirty-five full-color illustrations, is to be devoured as voraciously as one of the court dinners it describes.
Molly Peacock is the award-winning author of five volumes of poetry, including The Second Blush, and a memoir, Paradise, Piece by Piece. Her poems have appeared in the New Yorker, the Paris Review, and the Times Literary Supplement. A transplanted New Yorker, she lives in Toronto.
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