Deleuze and the Concepts of Cinema

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A01=Daniela Angelucci
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Author_Daniela Angelucci
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B06=Sarin Marchetti
Category1=Non-Fiction
Category=APFA
Category=ATFA
Category=HPCF
Category=HPN
Category=QDHR
Category=QDTN
Cinema
Cinema 1: The Movement Image
Cinema 2: The Time-Image
COP=United Kingdom
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eq_non-fiction
Film-Philosophy
Gilles Deleuze
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9780748697731
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Aug 2014
  • Publisher: Edinburgh University Press
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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This is a significant exploration of some of Deleuze's key concepts and an excellent introduction to Deleuze's Cinema books. Presented as part of this special issue of Deleuze Studies is the complete text of Daniela Angelucci's book Deleuze e i concetti del cinema. Translated by Sarin Marchetti, Deleuze and the Concepts of Cinema takes up Deleuze's idea that the true objects of the theory of cinema are the concepts that cinema generates when understood as a practice of images. In this sense, philosophy alone is able, as Deleuze argued, to 'constitute the concepts of cinema itself'. Deleuze and the Concepts of Cinema is both a significant exploration of some of Deleuze's key concepts, as well as an excellent introduction to Deleuze's Cinema books, aiming to avoid, as Deleuze himself once claimed, a double reproach: namely, both excessive erudition - which makes the reading complicated and tedious - and exaggerated familiarity.
Daniela Angelucci is Lecturer of Aesthetics at the Department of Philosophy, Comunicazione, Spettacolo at University of Roma Tre.