Travel Marketing and Popular Photography in Britain, 1888–1939

Regular price €179.80
A01=Sara Dominici
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Britain
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Category1=Non-Fiction
Category=AB
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Category=HBG
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Category=JBCC1
Category=JFCA
Category=KNS
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Category=WTM
commercial art
Commercial Illustrations
compact cameras
consumerism
COP=United Kingdom
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England
eq_art-fashion-photography
eq_business-finance-law
eq_history
eq_isMigrated=2
eq_non-fiction
eq_society-politics
eq_travel
Great Eastern Railway Company
history of photography
Kodak
Language_English
Lantern Lectures
leisure time
marketing
middle class
Mitchell’s Management
nineteenth century
Official Photographer
PA=Temporarily unavailable
Photographic Competition
photographic competitions
Photographic Practices
Polytechnic Touring
Polytechnic Touring Association
Popular Photographic Practices
popular photography
Price_€100 and above
Prospective Tourists
PS=Active
PTA Offer
Rational Recreation Movement
Royal Watercolour Society
softlaunch
souvenirs
Summer Brochure
Tour Goers
Tour Reunions
tourism
tourism studies
Tourist Photographers
Travel Firms
Travel Image
travel images
travel photography
twentieth century
United Kingdom
visual culture
Young Men

Product details

  • ISBN 9781138503113
  • Weight: 600g
  • Dimensions: 178 x 254mm
  • Publication Date: 06 Oct 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This book explores how popular photography influenced the representation of travel in Britain in the period from the Kodak-led emergence of compact cameras in 1888, to 1939. The book examines the implications of people’s increasing familiarity with the language and possibilities of photography on the representation of travel as educational concerns gave way to commercial imperatives. Sara Dominici takes as a touchstone the first fifty years of activity of the Polytechnic Touring Association (PTA), a London-based philanthropic-turned-commercial travel firm. As the book reveals, the relationship between popular photography and travel marketing was shaped by the different desires and expectations that consumers and institutions bestowed on photography: this was the struggle for the interpretation of the travel image.

Sara Dominici is a Lecturer in Cultural Studies and Course Leader for the MA in Art and Visual Culture at the University of Westminster, London. Her writing focuses on the history and culture of photography, the relationship between photography and the archive, and cultural studies.