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A01=Pilar Velez
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Joaquim Capdevila: New Jewellery in Barcelona

English

By (author): Pilar Velez

Joachim Capdevila (b. 1944) is a master of the art of goldsmithing, whose understanding of how to meld traditional handcraft with contemporary avant-garde jewellery is second to none. At the same time, his roots, which lie in painting, are unmistakable. Yet Capdevila does not just paint metal; his one-off jewellery pieces are rather the materialisation of a creative process in which metal and colour combine to become a completely new entity. The Barcelona-based jewellery artist has created a unique oeuvre in some fifty years, which is now being presented in a 175-piece-strong review for the very first time. In addition, Pilar Velez explores Capdevila's artistic development and his role as a pioneer and a major proponent of New Jewellery in Europe. Joaquim Capdevila is represented in numerous museums, including the Schmuckmuseum Pforzheim (DE), Museum fur Kunst und Gewerbe Hamburg (DE), MAK Museum of Applied Arts / Contemporary Art, Vienna (AT), Musee Olympique, Lausanne (CH), Royal Museums of Scotland, Edinburgh (GB), Collection de la Ville de Cagnes-sur-Mer (FR), Col.- leccio d Art de l Avui, Barcelona (ES), Museu de Montserrat (ES), Museu del Disseny de Barcelona (ES), Dallas Museum of Art, Rose-Asenbaum Collection (US). See more
Current price €62.55
Original price €67.99
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A01=Pilar VelezAge Group_UncategorizedAuthor_Pilar Velezautomatic-updateCategory1=Non-FictionCategory=ACXJCategory=AFKGCategory=AGBCOP=GermanyDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€50 to €100PS=Activesoftlaunch
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Product Details
  • Dimensions: 241 x 280mm
  • Publication Date: 06 Jul 2017
  • Publisher: Arnoldsche
  • Publication City/Country: Germany
  • Language: English
  • ISBN13: 9783897904941

About Pilar Velez

Pilar Velez is director of the Design Museum of Barcelona and member of the Sant Jordi Royal Catalan Fine Arts Academy and the Royal Academy of Belles-Lettres of Barcelona. She is particularly interested in the relationships between the decorative arts the industrial arts and design and in the history of the cultural heritage and collecting in the nineteenth to twentieth centuries.

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