Street Is My Pulpit

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A01=Mwenda Ntarangwi
Africa
African Studies
African Youth
Age Group_Uncategorized
Age Group_Uncategorized
Author_Mwenda Ntarangwi
Autoethnography
automatic-update
Category1=Non-Fiction
Category=AVGR
Category=AVLP
Category=HRC
Category=JBSR
Category=JFSR
Category=JHMC
Category=QRM
Charismatics
Christianity
Community Development
construction of identity
Contemporary Christianity
COP=United States
Dandora
Delivery_Delivery within 10-20 working days
Dualism in Christianity
Engaged Anthropology
eq_art-fashion-photography
eq_isMigrated=2
eq_music
eq_non-fiction
eq_society-politics
Ethnographic Collaboration
Exponential Potential
Expressive Culture
Facebook culture
Globalization
gospel and self-empowerment
Gospel Music
gospel music in Kenya
hip hop
hip hop and power
Hip hop as Lived Experiences
hip hop gospel music
Juliani
Juliani and born again Christianity
Kama Si Sisi
Kenya
Kenyan music
Kilio Cha Haki
Language_English
Larry Madowo
Lyrical Analysis
meru
Mombasa
Mtaa Challenge program
music in Nairobi
PA=Available
Participant Observation
Paul Gifford
Popular Music
power and change
Price_€100 and above
PS=Active
Public Anthropology
Public Theology
research Collaboration
Safaricom
Sheng
social media and Christian discourse
social media and Juliani
softlaunch
Unbounded Pulpit
Urbanization
Youth

Product details

  • ISBN 9780252040061
  • Weight: 426g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2016
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

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To some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise.

Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.

Mwenda Ntarangwi is an associate professor of anthropology at Calvin College. He is the author of East African Hip Hop: Youth Culture and Globalization .