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A01=Mwenda Ntarangwi
Africa
African Studies
African Youth
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Author_Mwenda Ntarangwi
Autoethnography
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Category1=Non-Fiction
Category=AVGR
Category=AVLP
Category=HRC
Category=JBSR
Category=JFSR
Category=JHMC
Category=QRM
Charismatics
Christianity
Community Development
construction of identity
Contemporary Christianity
COP=United States
Dandora
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Dualism in Christianity
Engaged Anthropology
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eq_music
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Ethnographic Collaboration
Exponential Potential
Expressive Culture
Facebook culture
Globalization
gospel and self-empowerment
Gospel Music
gospel music in Kenya
hip hop
hip hop and power
Hip hop as Lived Experiences
hip hop gospel music
Juliani
Juliani and born again Christianity
Kama Si Sisi
Kenya
Kenyan music
Kilio Cha Haki
Language_English
Larry Madowo
Lyrical Analysis
meru
Mombasa
Mtaa Challenge program
music in Nairobi
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Participant Observation
Paul Gifford
Popular Music
power and change
Price_€100 and above
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Public Anthropology
Public Theology
research Collaboration
Safaricom
Sheng
social media and Christian discourse
social media and Juliani
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Unbounded Pulpit
Urbanization
Youth

Street Is My Pulpit

English

By (author): Mwenda Ntarangwi

To some, Christianity and hip hop seem antithetical. Not so in Kenya. There, the music of Julius Owino, aka Juliani, blends faith and beats into a potent hip hop gospel aimed at a youth culture hungry for answers spiritual, material, and otherwise.

Mwenda Ntarangwi explores the Kenyan hip hop scene through the lens of Juliani's life and career. A born-again Christian, Juliani produces work highlighting the tensions between hip hop's forceful self-expression and a pious approach to public life, even while contesting the basic presumptions of both. In The Street Is My Pulpit, Ntarangwi forges an uncommon collaboration with his subject that offers insights into Juliani's art and goals even as Ntarangwi explores his own religious experience and subjective identity as an ethnographer. What emerges is an original contribution to the scholarship on hip hop's global impact and a passionate study of the music's role in shaping new ways of being Christian in Africa.

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Current price €103.99
Original price €112.99
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A01=Mwenda NtarangwiAfricaAfrican StudiesAfrican YouthAge Group_UncategorizedAuthor_Mwenda NtarangwiAutoethnographyautomatic-updateCategory1=Non-FictionCategory=AVGRCategory=AVLPCategory=HRCCategory=JBSRCategory=JFSRCategory=JHMCCategory=QRMCharismaticsChristianityCommunity Developmentconstruction of identityContemporary ChristianityCOP=United StatesDandoraDelivery_Delivery within 10-20 working daysDualism in ChristianityEngaged Anthropologyeq_art-fashion-photographyeq_isMigrated=2eq_musiceq_non-fictioneq_society-politicsEthnographic CollaborationExponential PotentialExpressive CultureFacebook cultureGlobalizationgospel and self-empowermentGospel Musicgospel music in Kenyahip hophip hop and powerHip hop as Lived Experienceship hop gospel musicJulianiJuliani and born again ChristianityKama Si SisiKenyaKenyan musicKilio Cha HakiLanguage_EnglishLarry MadowoLyrical AnalysismeruMombasaMtaa Challenge programmusic in NairobiPA=AvailableParticipant ObservationPaul GiffordPopular Musicpower and changePrice_€100 and abovePS=ActivePublic AnthropologyPublic Theologyresearch CollaborationSafaricomShengsocial media and Christian discoursesocial media and JulianisoftlaunchUnbounded PulpitUrbanizationYouth
Delivery/Collection within 10-20 working days
Product Details
  • Weight: 426g
  • Dimensions: 152 x 229mm
  • Publication Date: 15 May 2016
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Language: English
  • ISBN13: 9780252040061

About Mwenda Ntarangwi

Mwenda Ntarangwi is an associate professor of anthropology at Calvin College. He is the author of East African Hip Hop: Youth Culture and Globalization .

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