Product details
- ISBN 9781118712917
- Weight: 1179g
- Dimensions: 198 x 254mm
- Publication Date: 31 Jan 2014
- Publisher: John Wiley and Sons Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock
10-20 Working Days: On Backorder
Will Deliver When Available: On Pre-Order or Reprinting
We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!
- Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema
- A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world
- A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes
- Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends
- A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force.
- The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses
William Costanzo is a SUNY Distinguished Teaching Professor of English and Film at Westchester Community College in Valhalla, New York, where he teaches courses in writing, literature, and film studies. Dr. Costanzo has previously published five books on film, writing, and computers, including Reading the Movies (1992), Great Films and How to Teach Them (2004) and The Writer’s Eye (2008). He currently serves on the Society for Cinema and Media Studies Teaching Committee.