Aesthetics of Architecture

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A01=Roger Scruton
Aesthetic Theory
Aestheticism
Aesthetics
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Analogy
Applied arts
Architectural Design
Architectural historian
Architectural pattern
Architectural style
Architectural theory
Architecture
Art
Author_Roger Scruton
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Category1=Non-Fiction
Category=AMA
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Classicism
Consciousness
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Cornice
Criticism
Decorative arts
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Design methods
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Experience architecture
Explanation
Expressionist architecture
Form of life (philosophy)
Functionalism (architecture)
Gothic architecture
Idealism
Ideology
Individualism
Intentionality
Interior design
International Style (architecture)
Language_English
Languages of Art
Le Corbusier
Lectures on Aesthetics
Lightness (philosophy)
Modern architecture
Modernism
Monumental sculpture
Morality
Nominalism
Objectivity (philosophy)
On the Aesthetic Education of Man
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Palladian architecture
Philosopher
Philosophy
Philosophy of architecture
Philosophy of design
Philosophy of language
Philosophy of mind
Practical reason
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Proportion (architecture)
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Psychology of art
Reason
Sense of Place
Setback (architecture)
softlaunch
Sophistication
Space
Spirituality
Subjectivism
The Analysis of Beauty
The Bounds of Sense
The Timeless Way of Building
Theory
Theory of art
Theory of Forms
Thought
Time and Architecture
Utilitarianism
Vernacular architecture
Vestibule (architecture)
Vitruvius
Work of art

Product details

  • ISBN 9780691158334
  • Weight: 454g
  • Dimensions: 152 x 235mm
  • Publication Date: 21 Apr 2013
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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Architecture is distinguished from other art forms by its sense of function, its localized quality, its technique, its public and nonpersonal character, and its continuity with the decorative arts. In this important book, Roger Scruton calls for a return to first principles in contemporary architectural theory, contending that the aesthetic of architecture is, in its very essence, an aesthetic of everyday life. Aesthetic understanding is inseparable from a sense of detail and style, from which the appropriate, the expressive, the beautiful, and the proportionate take their meaning. Scruton provides incisive critiques of the romantic, functionalist, and rationalist theories of design, and of the Freudian, Marxist, and semiological approaches to aesthetic value. In a new introduction, Scruton discusses how his ideas have developed since the book's original publication thirty years ago, and he assesses the continuing relevance of his argument for the twenty-first century.
Roger Scruton is a visiting professor at Oxford University, where he is also a Fellow at Blackfriars Hall. His many books include Art and Imagination, Sexual Desire, The Aesthetics of Music, and A Political Philosophy: Arguments for Conservatism.