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Window on the World
Giovanni Iovane | Francesca Bernasconi | Rosalind Krauss | Victor I. Stoichita | Daniela Ferrari | Bruno Reichlin | Elio Grazioli | Alberto Pezzotta | Angelica Jawlensky | Angelika Affentranger-Kichrath | Brenda Danilowitz | Nicholas Fox Weber
Window on the World
★★★★★
★★★★★
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€46.99
Regular price
€47.99
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Sale price
€46.99
19th century
20th century
A01=Alberto Pezzotta
A01=Angelica Jawlensky
A01=Angelika Affentranger-Kichrath
A01=Brenda Danilowitz
A01=Bruno Reichlin
A01=Daniela Ferrari
A01=Elio Grazioli
A01=Francesca Bernasconi
A01=Giovanni Iovane
A01=Marco Franciolli
A01=Nicholas Fox Weber
A01=Rosalind Krauss
A01=Victor I. Stoichita
academic
aesthetics
Age Group_Uncategorized
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american history
architecture
architecture books
art books
art criticism
art history
art theory
arts
Author_Alberto Pezzotta
Author_Angelica Jawlensky
Author_Angelika Affentranger-Kichrath
Author_Brenda Danilowitz
Author_Bruno Reichlin
Author_Daniela Ferrari
Author_Elio Grazioli
Author_Francesca Bernasconi
Author_Giovanni Iovane
Author_Marco Franciolli
Author_Nicholas Fox Weber
Author_Rosalind Krauss
Author_Victor I. Stoichita
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Category1=Non-Fiction
Category=AC
Category=AGA
communism
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COP=Italy
critical theory
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essays
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Language_English
literary criticism
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painting
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Price_€20 to €50
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Product details
- ISBN 9788857216973
- Weight: 2060g
- Dimensions: 220 x 280mm
- Publication Date: 07 Jan 2013
- Publisher: Skira
- Publication City/Country: IT
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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Through more than 200 works, the representation and pictorial meaning of the window in the Western Art Since the Renaissance, the window has been both a metaphor and an essential conceptual tool in Western painting. A Window on the World seeks to thoroughly analyze the gradual changes which have occurred in the representation and pictorial meaning of the window, in particular in the course of the twentieth century. It explores the radical change in perspective whereby artists developed and offered us a “global vision”, a formal perception freed from the need to imitate the objective world. The catalogue is structured into four main sections: Historical introduction, Seeing through, Grids, From the Window to the Screen. These sections include specific analysis consecrated to artists who have chosen the window as the privileged means of their artistic research or to recurrent themes such as the fascinating relationship between window and still life.
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