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B01=Michael Williams
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Call Me by Your Name: Perspectives on the Film

English

Adapted by James Ivory from André Acimans novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately received among audiences and critics ever since its 2017 release.

A love story between seventeen-year-old Elio (Timothée Chalamet) and graduate student Oliver (Armie Hammer) and set in 1983 Somewhere in northern Italy, Call Me by Your Name presents a gay relationship in a romantic idyll seemingly untroubled by outside pressures, prejudices or tragedy. While this means it offers audiences welcome opportunities to swoon in front of an LGBTQ+ romance that equals classic heterosexual romances onscreen, its relevance or political significance today may not be immediately apparent. And yet the film is abundantly infused with narrative, thematic and stylistic elements that can be interpreted as speaking powerfully to contemporary audiences on questions of sexual identity.

This edited collection addresses how the film helps inform our understanding of contemporary sexual identity and romance. How does this love story explore wider tensions that exist between the specific and the general, between the open and the hidden, and between the past and the present? The contributors to the collection explore these questions in stimulating and contemplative manners.

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Age Group_Uncategorizedautomatic-updateB01=Edward LambertiB01=Michael WilliamsCategory1=FictionCategory1=Non-FictionCategory=APFACategory=APFBCategory=FYCategory=JFSCCategory=JFSKCOP=United KingdomDelivery_Delivery within 10-20 working daysLanguage_EnglishPA=AvailablePrice_€100 and abovePS=Activesoftlaunch
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Product Details
  • Dimensions: 170 x 244mm
  • Publication Date: 30 Sep 2024
  • Publisher: Intellect
  • Publication City/Country: United Kingdom
  • Language: English
  • ISBN13: 9781789389425

About

Edward Lamberti is the author of Performing Ethics through Film Style: Levinas with the Dardenne Brothers Barbet Schroeder and Paul Schrader (Edinburgh University Press 2019) and the editor of Behind the Scenes at the BBFC: Film Classification from the Silver Screen to the Digital Age (BFI/Palgrave 2012; longlisted for the 2013 Kraszna-Krausz Book Award for Best Moving Image Book). He has a Ph.D. in Film Studies Research from Kings College London and he works at the BBFC. Michael Williams is Professor in Film at the University of Southampton. He is author of Film Stardom and the Ancient Past: Idols Artefacts and Epics (Palgrave Macmillan 2018) and Film Stardom Myth and Classicism: The Rise of the Hollywood Gods (2013). He has widely published on stardom and with a particular focus on queer imagery and reception and is also author of Ivor Novello: Screen Idol (BFI 2003) and co-editor of British Silent Cinema and the Great War (Palgrave Macmillan 2011).

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