Deana Lawson: An Aperture Monograph
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€82.99
Regular price
€83.99
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Winner of the 2020 Hugo Boss Prize
One of the most intriguing photographers of her generation, Deana Lawson’s subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large-format cameras and models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body—often nude—is central. Throughout her work, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty-five beautifully reproduced photographs and an extensive interview with the filmmaker Arthur Jafa.
“Outside a Deana Lawson portrait you might be working three jobs, just keeping your head above water, struggling. But inside her frame you are beautiful, imperious, unbroken, unfallen.” — Zadie Smith
Deana Lawson (born in Rochester, New York, 1979) (born in Rochester, New York, 1979) received her MFA from the Rhode Island School of Design. Her photography has been exhibited widely, including at the Art Institute of Chicago, Brooklyn Museum, Contemporary Art Museum St. Louis, and the 2018 Whitney Biennial. Lawson is assistant professor in visual arts at Princeton University, and is represented by Sikkema Jenkins & Co., New York, and Rhona Hoffman Gallery, Chicago. Zadie Smith is the author of the acclaimed novels White Teeth (2001), The Autograph Man (2003), On Beauty (2006),
NW (2013), and Swing Time (2016), and the essay collections Changing My Mind (2010) and Feel Free (2018). Winner of
the Whitbread first novel award and the Guardian First Book Award, the James Tait Black Memorial Prize for fiction, the Commonwealth Writers’ first book award, and the Orange Prize, and shortlisted for the Man Booker Prize, she is a regular contributor to the New Yorker and Harper's. Arthur Jafa is a filmmaker and cinematographer whose work includes Love Is The Message, The Message is Death (2017), Happy Birthday, Marsha!, Sharifa Walks (2015),In the Morning (2014), and Dreams Are Colder Than Death (2014), I Am Ali (2002), Rouch in Reverse (1995), and Daughters of the Dust (1991). Jafa has exhibited his work at major institutions and galleries, including the Whitney Museum of American Art; Gavin Brown’s Enterprise, New York; the Serpentine Galleries, London; the Vinyl Factory, London; the Hammer Museum, Los Angeles; and the Institute of Contemporary Art, Philadelphia.