3D Filmmaking

Regular price €62.99
2D to 3D conversion
A01=Celine Tricart
advanced stereoscopic cinematography
Age Group_Uncategorized
Age Group_Uncategorized
Amazing Spider Man
anaglyph imaging
Author_Celine Tricart
automatic-update
BAFTA Award
box
budget
Category1=Non-Fiction
Category=AFKV
Category=APFX
Category=ATFX
cinema technology
COP=United Kingdom
Delivery_Delivery within 10-20 working days
depth
Depth Budget
Depth Cues
depth perception analysis
Depth Script
DreamWorks Animation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Giant Slayer
Jean Pierre Jeunet
Language_English
Long Shots
Mirror Rig
Monocular Cues
narrative
Narrative Box
PA=Available
Panum Area
Price_€50 to €100
Production Schedule
PS=Active
ray
Ray Zone
Retinal Disparity
scenic
Scenic Box
script
softlaunch
stereography workflow
stereoscopic
Stereoscopic Filmmakers
Stereoscopic Supervisor
Stereoscopic Window
Steve Schklair
supervisor
VFX Supervisor
Vice Versa
Visual Effects Supervisor
visual storytelling techniques
Window Violation
zone

Product details

  • ISBN 9781138847897
  • Weight: 648g
  • Dimensions: 191 x 235mm
  • Publication Date: 09 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Delivery/Collection within 10-20 working days

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2-4 Working Days: Available in-stock

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A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including:

  • 3D vision
  • History of 3D cinema
  • Stereoscopic basics and techniques
  • How to shoot in 3D
  • 3D VFXs, animation in 3D, and 2D to 3D conversion
  • Live broadcast in 3D
  • 3D viewing and projection
  • 3D as a storytelling tool
  • Screenwriting for 3D
  • Working with a stereographer
  • 3D storyboarding and previz
  • 3D postproduction
  • Sound design in-depth

A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amélie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios).

A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.

Celine Tricart is a filmmaker and stereographer. Since 2008 she has been the stereographer behind more than 20 live 3D broadcasts, commercials, and documentaries, including the first French 3D film, Behind the Walls. Celine also served as a 3D Rig Technician on the 2014 box office hits Stalingrad and Transformers: Age of Extinction.