A01=Thomas Morgan Evans
Author_Thomas Morgan Evans
cambell soup art
cambells soup cans
campbell soup art
campbell's soup cans
Category=AFKB
Category=AGA
Category=AGB
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
gay artists
modernist art
pop art
popism
soup art
Product details
- ISBN 9781784534271
- Weight: 422g
- Dimensions: 138 x 216mm
- Publication Date: 20 Mar 2017
- Publisher: Bloomsbury Publishing PLC
- Publication City/Country: GB
- Product Form: Hardback
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Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; 'disco decor'; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol's engagement with sculpture, and traditional notions of sculpture, produced 'trespasses', his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol's oeuvre, providing an essential new perspective on the artist's legacy.
Thomas Morgan Evans is a Henry Moore Post-Doctoral Fellow. He has a PhD in art history from University College London and has taught there and at the Courtauld Institute of Art. He has written criticism for Art History and The Burlington Magazine, and has worked for the Tate, the ICA and for LUX.
