A01=Arshad Iqbal
A01=Sally Haftel Naveh
aesthetics
Age Group_Uncategorized
Age Group_Uncategorized
architecture
art
art book
art books
art history
artist
artists
arts
artwork
Author_Arshad Iqbal
Author_Sally Haftel Naveh
autobiography
automatic-update
beauty
biographies
biography
Category1=Non-Fiction
Category=AFC
Category=AGA
Category=AGB
Category=Geography
classic
comics
creativity
cultural studies
culture
Delivery_Delivery within 10-20 working days
design
drawing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
essays
european history
fashion
feminist
fine art
french
historical
illustration
impressionism
Language_English
literary criticism
medieval
modern art
modernism
museums
music
mythology
PA=In stock
painting
perspective
philosophy
photography
picture books
pop art
Price_€10 to €20
PS=Active
reference
renaissance
school
sculpture
softlaunch
surrealism
translation
venice
Product details
- ISBN 9788831728027
- Weight: 136g
- Dimensions: 241 x 292mm
- Publication Date: 20 Feb 2018
- Publisher: Marsilio
- Publication City/Country: IT
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Beverly Barkat s painting is rooted in a profound and ongoing dialogue with art history. Her study and observation of the figurative and realistic tradition in Western art has resulted in her accumulating a body of knowledge that she draws on directly in her artistic practice. To achieve her aim of capturing the essence of the body in motion, Barkat has begun working on a large scale, using broad gestures that recall action painting. The best of her production, together with her latest works (large-scale painted PVC sheets), is illustrated in this book, her first.
Sally Haftel Naveh lives and works in Israel. Her works have been shown at the principal galleries in Israel and abroad, especially in Japan and in particular at the Kyoto Art Museum. She curated and directed Tel Aviv's Municipal Art Gallery Kav 16--Community Gallery for Contemporary Art (2010-2013).
