Companion to Italian Cinema

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" terrorism in Italian cinema
Age Group_Uncategorized
Age Group_Uncategorized
Alberto Sordi
auteur cinema
automatic-update
B01=Frank Burke
Carlo Lizzani
Category1=Non-Fiction
Category=APF
Category=ATF
Catholicism and Italian cinema
commedia all'italiana
Communism/Socialism/Catholicism
CommunismSocialismCatholicism
contemporary Italian cinema
COP=United Kingdom
Delivery_Delivery within 10-20 working days
digitalization
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fascism
Federico Fellini
feminism in Italian cinema
Gilles Deleuze
immigration and postcolonialism
Italian cinema
Italian film stars
Italian genre film
Italian silent cinema
Language_English
music in Italian cinema
nation cinema
Neorealism
PA=Available
popular genre cinema
Price_€100 and above
PS=Active
queer Italian cinema
self-reflexivity and postmodernism
softlaunch
stardom
the "southern question
the Italian character
The Mezzogiorno

Product details

  • ISBN 9781444332285
  • Weight: 1157g
  • Dimensions: 175 x 249mm
  • Publication Date: 02 Jun 2017
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema.

  • Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled
  • Presents a theory based approach to historical and archival material
  • Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema
  • Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization
  • A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike

Frank Burke is Professor Emeritus of Film at Queen's University, Canada. He is the author of Fellini's Films: From Postwar to Postmodern (1996) and Federico Fellini: Variety Lights to Dolce Vita (1984) and has co-edited Federico Fellini: Contemporary Perspectives (with Marguerite R. Waller, 2002). He has produced over 100 publications, keynote addresses, invited lectures, and special sessions on Italian and North American cinema, and has edited for the Canadian Journal of Political and Social Theory and Literature/Film Quarterly.