Cultural History of Comedy in the Age of Empire

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B01=Matthew Kaiser
B09=Professor Andrew McConnell Stott
B09=Professor Eric Weitz
British empire
Category1=Non-Fiction
Category=AN
Category=ASZB
Category=ATD
Category=ATXD
Category=HBLL
Category=HBTB
Category=NHTB
colonialism
comedic theatre
comedy
COP=United Kingdom
Darwin
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empire
empires
empiricism
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
First World War
French Revolution
funny theatre
humor
humorous performance
humorous theatre
humour
Language_English
Oscar Wilde
PA=Available
Price_€20 to €50
PS=Forthcoming
racism
social Darwinism
softlaunch
Victorian comedy
Victorian era
Victorian theatre

Product details

  • ISBN 9781350440708
  • Weight: 533g
  • Dimensions: 168 x 242mm
  • Publication Date: 04 Apr 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Drawing together contributions from scholars in a range of fields within 19th- and 20th-century cultural, literary, and theater studies, this volume provides a thorough and varied overview of the many forms comedy took in the 19th century. Given the earth-shattering cultural changes and political events that mark the decades between 1800 and 1920—shifting borders, socioeconomic upheaval, scientific and technological innovation, the rise of consumerism and mass culture, unprecedented overseas expansion by European and American imperial powers—it is no wonder that people in the Age of Empire turned to comedy in order to make sense of the contradictions that structure modern identity and navigate the sociocultural fault lines within modern life. Comical, humorous, and satirical cultural artifacts from the period capture the anxieties and aspirations, the petty resentments and lofty ideals, of a world buffeted by change.

This volume explores the aesthetic, political, and ethical dimensions of comedy in the context of blackface minstrelsy, nonsense poetry, music hall and pantomime, comic almanacs and joke books, journalism, silent film, popular novels, and hygiene magazines, among other phenomena. It also provides a detailed account of contentious debates among social Darwinists, psychoanalysts, and political philosophers about the meaning and significance of comedy and laughter to human life.

Each chapter takes a different theme as its focus: form, theory, praxis, identity, the body, politics and power, laughter, and ethics. These eight divergent approaches to comedy in the Age of Empire add up to an extensive, synoptic coverage of the subject.

Matthew Kaiser is Professor of English at University of California, Merced, USA.