Cultural History of Comedy in the Middle Ages

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B01=Martha Bayless
B09=Professor Andrew McConnell Stott
B09=Professor Eric Weitz
bawdy humour
Boccaccio
carnival
Category1=Non-Fiction
Category=ASZB
Category=ATXD
Category=GBC
Category=HBTB
Category=NH
Category=NHTB
Chaucer
comediae
comedic performance
comedic theatre
Comedy
comic drama
COP=United Kingdom
Decameron
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European comedy
European theatre
fabliau
fabliaux
farce
funny poetry
Geoffrey Chaucer
Hrosvitha
Hrothswitha of Gandersheim
humor
humorous poetry
humorous theatre
humour
Juan Ruiz
Language_English
medieval comedy
medieval humor
medieval humour
medieval plays
medieval theatre
novella
PA=Available
parody
Price_€20 to €50
PS=Active
riddles
satire
softlaunch
stage comedy
The Canterbury Tales

Product details

  • ISBN 9781350440777
  • Weight: 454g
  • Dimensions: 168 x 242mm
  • Publication Date: 04 Apr 2024
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
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Comedy and humor flourished in manifold forms in the Middle Ages. This volume, covering the period from 1000 to 1400 CE, examines the themes, practice, and effects of medieval comedy, from the caustic morality of principled satire to the exuberant improprieties of many wildly popular tales of sex and trickery. The analysis includes the most influential authors of the age, such as Chaucer, Boccaccio, Juan Ruiz, and Hrothswitha of Gandersheim, as well as lesser-known works and genres, such as songs of insult, nonsense-texts, satirical church paintings, topical jokes, and obscene pilgrim badges. The analysis touches on most of the literatures of medieval Europe, including a discussion of the formal attitudes toward humor in Christian, Jewish, and Islamic traditions. The volume demonstrates the many ways in which medieval humor could be playful, casual, sophisticated, important, subversive, and even dangerous.

Each chapter takes a different theme as its focus: form, theory, praxis, identities, the body, politics and power, laughter, and ethics.

Martha Bayless is Professor of Medieval Studies and director of the Folklore and Public Culture Program at the University of Oregon, USA.