Goddess in Motion

Regular price €34.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Roger Canals
Age Group_Uncategorized
Age Group_Uncategorized
Anthropology (General)
Anthropology of Religion
Author_Roger Canals
automatic-update
Category1=Non-Fiction
Category=JBSR
Category=JFSR
Category=JHMC
COP=United Kingdom
Cultural Studies (General)
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Format=BC
Format_Paperback
Language_English
PA=Available
Price_€20 to €50
PS=Active
softlaunch

Product details

  • ISBN 9781800733718
  • Format: Paperback
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jan 2022
  • Publisher: Berghahn Books
  • Publication City/Country: GB
  • Product Form: Paperback
  • Language: English
Secure checkout Fast Shipping Easy returns

The current practice of the cult of María Lionza is one of the most important and yet unexplored religious practices in Venezuela. Based on long-term fieldwork, this book explores the role of images and visual culture within the cult. By adopting a relational approach, A Goddess in Motion shows how the innumerable images of this goddess—represented as an Indian, white or mestizo woman—move constantly from objects to bodies, from bodies to dreams, and from the religion domain to the art world. In short, this book is a fascinating study that sheds light on the role of visual creativity in contemporary religious manifestations.

Roger Canals works as associate professor in the department of Social Anthropology at the University of Barcelona. Besides numerous articles in visual anthropology and anthropology of religion, he is the director of several international award-winning ethnographic films, including A Goddess in Motion (2016, Wenner-Gren Foundation). In 2020, he was awarded an ERC-Consolidator Grant for the project Visual Trust. Reliability, accountability and forgery in scientific, religious and social images (2021-2026).

More from this author