Philosophy of the Art School

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A01=Michael Newall
aesthetics
Age Group_Uncategorized
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analytic aesthetics
art education theory
art history
Art School
art school education
Art School Teaching
art theory
Art Theory Classes
artistic pluralism
Author_Michael Newall
automatic-update
Bauhaus
Berys Gaut
Category1=Non-Fiction
Category=AB
Category=AC
Category=AGA
Category=HPN
Category=JNA
Category=QDTN
Clive Cazeaux
constructivism in education
contemporary art pedagogy analysis
Contemporary Art School
Contemporary Art World
COP=United Kingdom
Creative Flair
creative practice research
creativity
crit
David's Students
David's Studio
David’s Students
David’s Studio
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eq_art-fashion-photography
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
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Fine Art Research
flair
George Szirtes
group crit
group critique methodology
higher education art training
Howard Singerman
James Elkins
Language_English
Lecoq De Boisbaudran
master-apprentice model
masterclass
Michael Newall
originality
PA=Available
Paolo Freire
philosophy of art
philosophy of education
philosophy of the art school
Price_€100 and above
Prix De Rome
PS=Active
research in art schools
scaffolding
softlaunch
studio pedagogy
Thierry de Duve
UK's Group
UK's Research Excellence Framework
UK’s Group
UK’s Research Excellence Framework
visual arts
West Germany
Wilhelm Von Schadow
Young Man

Product details

  • ISBN 9781138615984
  • Weight: 418g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Nov 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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*Winner of the American Society for Aesthetics 2019 Outstanding Monograph Prize*

Until now, research on art schools has been largely occupied with the facts of particular schools and teachers. This book presents a philosophical account of the underlying practices and ideas that have come to shape contemporary art school teaching in the UK, US and Europe. It analyses two models that, hidden beneath the diversity of contemporary artist training, have come to dominate art schools. The first of these is essentially an old approach: a training guided by the artistic values of a single artist-teacher. The second dates from the 1960s, and is based around the group crit, in which diverse voices contribute to an artist’s development. Understanding the underlying principles and possibilities of these two models, which sit together in an uneasy tension, gives new insights into the character of contemporary art school teaching, demonstrating how art schools shape art and artists, how they can be a potent engine of creativity in contemporary culture and how they contribute to artistic research. A Philosophy of the Art School draws on first-hand accounts of art school teaching, and is deeply informed by disciplines ranging from art history and art theory, to the philosophy of art, education and creativity.

Michael Newall is Director of the Aesthetics Research Centre at the University of Kent. He is author of What is a Picture? Depiction, Realism, Abstraction (Palgrave Macmillan, 2011), and many articles on art and aesthetics. Before entering academia, he trained as a visual artist, and worked as a critic and curator.

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