Respectable Spell

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A01=Carlos Sandroni
African
Afro-Brazilian
Age Group_Uncategorized
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analysis
artists
Author_Carlos Sandroni
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baile
bamba
Brazil
Candomble
carnival
Category1=Non-Fiction
Category=AVA
Category=AVGW
Category=AVLW
cavaquinho
celebration
choreography
choro
composers
congado
context
COP=United States
dancers
decolonial
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ensemble
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnomusicological
fado
festival
folk samba
group
guitar
instrumental
Language_English
lundu
maxixe
modinha
music of Brazil
musicians
PA=Available
percussion
performers
polca-lundu
Price_€20 to €50
PS=Active
race
religion
rural
samba-cancao
samba-corrido
sambista
social history
softlaunch
style
urban

Product details

  • ISBN 9780252086083
  • Weight: 481g
  • Dimensions: 156 x 235mm
  • Publication Date: 16 Nov 2021
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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A landmark in Brazilian music scholarship, A Respectable Spell introduces English-speaking readers to the rich history of samba from its nineteenth century origins to its emergence as a distinctive genre in the 1930s. Merging storytelling with theory, Carlos Sandroni profiles performers, composers, and others while analyzing the complex ideologies their music can communicate in their lyrics and rhythms, and how the meaning of songs and musical genres can vary depending on social and historical context. He also delves into lundu, modinha, maxixe, and many other genres of Brazilian music; presents the little-heard voices and perspectives of marginalized Brazilians like the African-descended sambistas; and presents a study in step with the types of decolonial approaches to ethnomusicology that have since emerged, treating the people being studied not only as makers of music but also of knowledge.

Incisive and comprehensive, A Respectable Spell tells the compelling story of an iconic Brazilian musical genre.

Carlos Sandroni is a professor of ethnomusicology in the Faculty of Music and the Faculty of Anthropology at the Federal University of Pernambuco (Recife). He was chairman of the Brazilian Association of Ethnomusicology from 2002 to 2004. His books include Mário contra Macunaíma: Cultura e política em Mário de Andrade. Michael Iyanaga is an assistant professor of music and Latin American studies at the College of William and Mary. His books include Desafios e particularidades da produção antropológica no Norte e Nordeste do Brasil.

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