Storm of Images

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A01=Philip Jenkins
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Age Group_Uncategorized
art history
Author_Philip Jenkins
automatic-update
Byzantine history
Byzantium
Category1=Non-Fiction
Category=AC
Category=AGA
Category=HRAX
Category=QRAX
Christianity and art
church art
COP=United States
Delivery_Delivery within 10-20 working days
Eastern Orthodoxy
Empress Theodora
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
iconoclasm
icons
Irene of Athens
John of Damascus
Language_English
medieval history
PA=Available
Price_€20 to €50
PS=Active
softlaunch
Theodore of Stoudios

Product details

  • ISBN 9781481318228
  • Weight: 272g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Sep 2023
  • Publisher: Baylor University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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In the eighth century, the Byzantine Empire began a campaign to remove or suppress sacred images that depicted Christ, the Virgin, or other holy figures, whether in painting, mosaics, murals, or other media. In some cases, the campaign extended to breaking or wrecking images through what became known as iconoclasm. Over the following years, the emperors' zealous movement involved other acts that closely foreshadowed the Reformation movement that would sweep Western Europe in the sixteenth century. Like that later Reformation, iconoclasm marked an authentic revolution in religious sensibility, with all that implied for theology, culture, and visual perceptions of holiness. This was a pivotal moment in the definition of Christianity and its relationship to the material creation. It was also a time of critical encounters with the other Abrahamic religions of Judaism and Islam.

With A Storm of Images, Philip Jenkins offers a compelling retelling of the saga of how the iconoclastic movement detonated ferocious controversy within the church and secular society as icon supporters challenged the image breakers. Decades of internal struggle followed, marked by rebellions and civil wars, purges and persecutions, plotting and coups d'etat. After their cause triumphed, the image supporters made the cult of icons ever more central to the faith of Orthodox Christianity. Iconoclasm marked a watershed in the history of Late Antiquity and the Early Middle Ages, and it contributed to Western attempts to establish new empires.

The questions raised during these struggles are all the more relevant at a time when such controversy rages over the public depictions of history and the removal of statues, monuments, and names associated with hated figures. As in those earlier times, debates over images serve as vehicles for authentic cultural revolutions.

Philip Jenkins is Distinguished Professor of History at Baylor University. He is also the author of Fertility and Faith: The Demographic Revolution and the Transformation of World Religions.

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