A-Z of the International Art Market

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A01=Tom Flynn
assets
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Author_Tom Flynn
Category1=Non-Fiction
Category=ABC
Category=ABQ
Category=GBC
Category=NL-AB
Category=NL-GB
classic
collector
communication
companies
contemporary
COP=United Kingdom
currency
deals
democratisation
Discount=15
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eq_nobargain
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Format=BC
Format_Paperback
global
guidance
HMM=216
IMPN=Bloomsbury Business
insurance
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ISBN13=9781472936332
language
Language_English
modern
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PA=Temporarily unavailable
PD=20161103
POP=London
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Price_€20 to €50
PS=Active
PUB=Bloomsbury Publishing PLC
Reference
Subject=Encyclopedias & Reference Works
Subject=The Arts: General Issues
terminology
transparency
WG=294
WMM=138
world

Product details

  • ISBN 9781472936332
  • Format: Paperback
  • Weight: 280g
  • Dimensions: 134 x 214mm
  • Publication Date: 03 Nov 2016
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: London, GB
  • Product Form: Paperback
  • Language: English
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"A comprehensive, wide-ranging and historically well-informed account." - Charles Saumarez Smith, Royal Academy of Arts

It is estimated that there are over 300,000 companies involved in the world's art market, employing around 2.8 million people. But the art world carries a veneer of mystery and secrecy that many people find daunting, and the language used by market insiders can be alienating and confusing to those new to the art market.

The A-Z of the International Art Market not only clarifies useful terms and definitions, but also represents a significant contribution to the fast-developing processes of transparency and democratisation in the global art business. Comprising art market terms and core concepts – both historical and contemporary – this book is a long-awaited reference source that offers a unique introduction to a dynamic business sector.

The A-Z of the International Art Market provides an accessible and thorough insight into critical areas of market practice and custom that anyone involved in the art market will find useful and enlightening.

Tom Flynn is a visiting lecturer in the history of art and the history and professional practices of the international art market at a number of UK and European universities. He is a member of the International Association of Art Critics (AICA) and a Fellow of the Royal Society of Arts.

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