Abbas Kiarostami's Cinema of Life

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Abbas Kiarostami
Attar and Kiarostami
Author_Julian Rice
Binoche and Kiarostami
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children in Kiarostami's films
children in Kiarostami’s films
Durkheim and Kiarostami
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film director
Homework
Kiarostami and the soul
Kiarostami in Italy
Kiarostami in Japan
Kiarostami's anti-war films
Kiarostami's photography
Kiarostami's poetic cinema
Kiarostami's spirituality
Kiarostami’s anti-war films
Kiarostami’s photography
Kiarostami’s poetic cinema
Kiarostami’s spirituality
Life Goes On
movies
nature in Kiarostami's films
nature in Kiarostami’s films
Persian poetry in Kiarostami's films
Persian poetry in Kiarostami’s films
religion in Kiarostami's films
religion in Kiarostami’s films
Rumi and Kiarostami
Shariati and Kiarostami
Shirin
Someone in Love
Sufism in Kiarostami's films
suicide in Kiarostami's films
Taste of Cherry
The Report
Zoroastrianism in Kiarostami's films

Product details

  • ISBN 9781538137000
  • Weight: 621g
  • Dimensions: 162 x 242mm
  • Publication Date: 11 Sep 2020
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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Standing apart from celebrated Iranian ideals of war and martyrdom, revolutionary filmmaker Abbas Kiarostami was known as a man who praised life and celebrated it in all his works. Creating films for more than 40 years during times of unending war and political turmoil, Kiarostami promoted the Sufi tradition of seeing God as part of nature and the pre-Islamic Zoroastrian ideal of environmental protection.

Kiarostami’s self-image as a citizen of the world, his renunciation of war, and his concern for the future of nature cement his importance within the art form of poetic cinema. Addressing Kiarostami’s illumination of humanity’s self-destructive tendencies, author Julian Rice presents a detailed analysis of twelve individual films, from Homework (1989) to Like Someone in Love (2012).

Departing from concerns of spectatorship or film in general, Rice’s book portrays the human and spiritual core of Kiarostami. Connected to all other humans and to the earth we all inhabit, Kiarostami’s vision remains a powerful message for film scholars and peaceful people everywhere.

Julian Rice is professor emeritus of English at Florida Atlantic University. He is the author of Kubrick’s Hope (Scarecrow Press, 2008), The Jarmusch Way (Scarecrow Press, 2012), and Kubrick’s Story, Spielberg’s Film (Rowman & Littlefield, 2017).

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