Abbot Suger on the Abbey Church of St. Denis and Its Art Treasures
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Alliteration
Apophatic theology
Apostrophe
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Basilica of St Denis
Blood of Christ
Calvary
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Ceremony
Charles the Bald
Chartres
Cherubim and Seraphim (Nigerian church)
Christian philosophy
Christianity
Cistercians
Corpus Christi (feast)
Court (royal)
Cupboard
Curator
Das Rheingold
Dogma
Epistle to the Ephesians
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Frank Lloyd Wright
Franz Liszt
Gazette des Beaux-Arts
Giovanni Pico della Mirandola
God the Father
Gothic architecture
Grand opera
Great King
Henry of Ghent
Henry V
Holy Roman Emperor
Ibid (short story)
Indication (medicine)
Jacob Burckhardt
Leon Battista Alberti
Louis the Pious
Marsilio Ficino
Monasticism
Mother church
Narthex
National Gallery of Art
New creation (theology)
Opening act
Opera and Drama
Oriflamme
Paris Opera
Patron saint
Paul Frankl
Persius
Peter the Venerable
Preface (liturgy)
Prelate
Prince of the Church
Rambouillet
Relic
Religion
Religious text
Richard Krautheimer
Richard Wagner
Robert Grosseteste
Roman Missal
Romanesque art
Sacred Stone
St. Bernard (dog)
Suger
The Artwork of the Future
Theodor Uhlig
Tithe
Veni Sancte Spiritus
Victimae paschali laudes
William of Auvergne (bishop)
Product details
- ISBN 9780691003146
- Weight: 510g
- Dimensions: 152 x 235mm
- Publication Date: 21 May 1979
- Publisher: Princeton University Press
- Publication City/Country: US
- Product Form: Paperback
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This revised edition incorporates the additions and corrections recorded by Erwin Panofsky until the time of his death in 1968. Gerda Panofsky-Soergel has updated the commentary in the light of new material, and the bibliography that she has prepared reflects the scholarship on St.-Denis in the last three decades. She has obtained some additional and more recent photographs, and the illustrations include a new ground plan and a new section of the chevet of the Abbey Church, both drawn under the supervision of Sumner McKnight Crosby.
Erwin Panofsky taught until 1933 at the University of Hamburg and, later, at New York University and Princeton University, joining the faculty of the institute for Advanced Study, Princeton, in 1935. His writings are considered among the most important of the twentieth century in art history.
