Absolute Realist

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A01=Albert Renger-Patzsch
Age Group_Uncategorized
Age Group_Uncategorized
Andreas Gursky
August Sander
Author_Albert Renger-Patzsch
automatic-update
avant-garde
B06=Daniel H Magilow
Bauhaus
Bernard Becher
Bernard Stiegler
cacti
Candida Hofer
Carl Schmitt
Category1=Non-Fiction
Category=AJ
Category=AJB
Category=AJCD
conservative
contemporary art
COP=United States
Delivery_Delivery within 10-20 working days
Dusseldorf School
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Ernest Junger
Ernst Fuhrmann
Folkwang Museum
Germany
Hans Grimm
Hilla
Hugo Sieker
industry
Irving Penn
Karl Blossfeldt
landscapes
Language_English
modernist
nationalism
Nazi Party
neorealism
Neue Sachlichkeit
New Objectivity
New Vision
PA=Available
photographic history
portraits
postwar
Price_€20 to €50
PS=Active
right-wing
social
softlaunch
Third Reich
Thomas Struth
visual arts
Weimar Republic

Product details

  • ISBN 9781606067802
  • Dimensions: 178 x 254mm
  • Publication Date: 03 Jan 2023
  • Publisher: Getty Trust Publications
  • Publication City/Country: US
  • Product Form: Paperback
  • Language: English
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This annotated anthology presents the first English translation of German photographer Albert Renger-Patzsch's collected writings. A towering figure in the history of photography, Albert Renger-Patzsch (1897-1966) has come to epitomize New Objectivity, the neorealist movement in modernist literature, film, and the visual arts recognized as the signature artistic style of Germany's Weimar Republic. Today, his images are regularly exhibited and widely considered key influences on contemporary photographers. Whether they capture geometrically intricate cacti, flooded tidal landscapes, stacks of raw materials, or imposing blast furnace towers, Renger-Patzsch's photographs embody what his peer Hugo Sieker termed "absolute realism," an approach predicated upon the idea that photographers have one task: to exploit the camera's unique capacity to document with uncompromising detail. Not only a photographer, Renger-Patzsch was also an influential and lucid writer who advocated his unique brand of uncompromising realism in almost a half century's worth of articles, essays, lectures, brochures, and unpublished manuscripts addressing photography, technology, and modernity. Drawing on his papers at the Getty Research Institute and other archives, The Absolute Realist unites in one volume this skillful photographer's ideas about the defining visual medium of modernity.
Daniel H. Magilow is professor of German at the University of Tennessee, Knoxville.

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