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Abstract Painting and the Minimalist Critiques

Matthew L. Levy
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1960s
A01=Matthew L. Levy
Abstract Expressionism
Abstract Painting
Al Held
Ars
art criticism
art critics
art historical methodology
art history
Author_Matthew L. Levy
Baer's Work
Baer’s Work
Catalogue Essay
Category=AB
Category=AFC
Category=AGA
Category=GLZ
Clement Greenberg
Color Field Painting
contemporary art
curator
curatorial studies
David Novros
death of painting
death of painting debate
Des Moines Art Center
Di Suvero
Douglas Crimp
Dwan Gallery
Endgame Scenarios
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition history
exhibitions
Fischbach Gallery
Flat Art
Guggenheim
Jewish Museum
Jo Baer
Late Cubist
Lawrence Alloway
Leo Castelli Gallery
Lucy Lippard
Mark Di Suvero
Michael Fried
Minimalism
Minimalist Painting
minimalist painting discourse 1960s
modern art
modernism
modernist art theory
painter-sculptor dialogue
painting
Pale Red
Park Place
Post Painterly Abstraction
postmodernism
postwar American painting
Primary Structures
Robert Mangold
Rudy Burckhardt
Ryman's Work
Ryman’s Work
Samuel Beckett
sculptors
Shaped Canvas
Sol LeWitt
Systemic Painting
The Unnamable
United States
visual arts criticism
York Art World
York School Painters
Yve-Alain Bois

Product details

  • ISBN 9781032178097
  • Weight: 381g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Sep 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Description

This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their substantive engagements with Minimalist discourse, as well as their often overlooked artistic exchanges with their sculptor peers, it demonstrates that painting crucially informed the movement’s development, serving not only as an object of critique but also as a crucible for its most central tenets. It also poses broader disciplinary implications as it historicizes and challenges Minimalism’s "death of painting" critiques that have been so influential to theories of modernism and postmodernism in the visual arts.
About Matthew L. Levy

Matthew L. Levy is Assistant Professor of Art History at Penn State Erie, The Behrend College.

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