Acoustic Self in English Modernism and Beyond

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Absolute Music
Act Iii
Aldous Huxley
Arbitrary Association
Author_Zoltan Varga
Backward Facing
Beethoven's Music
Beethoven’s Music
Category=AVA
Category=CF
Category=DSBH
Category=DSK
Composer's End
Composer’s End
E.M. Forster
EDM
English Modernism
English modernist fiction
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eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
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eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Esthesic Levels
Fugal Structure
High Risk Suicide Group
Howards End
Humpback Whales
intermedial studies
intermediality
jazz influence fiction
Judas Priest
literary studies
Longest Journey
Main Character
modernist literature
modernist studies
Multifarious Paths
multimodality
music and identity in novels
Musical Embodiment
Musical Intertextuality
Musical Semiotics
musicalization
narrative fiction
narrative musicalization
Point Counter Point
Queen's Hall
Queen’s Hall
semiotics
sonic representation
subjectivity
subjectivity theory
Trip City
Virginia Woolf
Wagner's Parsifal
Wagner’s Parsifal
Young Man
Zoltan Varga

Product details

  • ISBN 9781032025841
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Drawing on the analogy between musical meaning-making and human subjectivity, this book develops the concept of the acoustic self, exploring the ways in which musical characterization and structure are related to issues of subject-representation in the modernist English novel.

The volume is framed around three musical topics—the fugue, absolute music, and Gesamtkunstwerk—arguing that these three modes of musicalization address modernist dilemmas around selfhood and identity. Varga reflects on the manifestations of the acoustic self in examples from the works of E.M. Forster, Aldous Huxley, and Virginia Woolf, and such musicians as Bach, Beethoven, Handel, and Wagner. An additional chapter on jazz and electronic music supplements these inquiries, pursuing the acoustic self beyond modernism and thereby inciting further discussion and theorization of musical intermediality, as well as recent sonic practices.

Probing the analogies in the complex interrelationship between music, representation, and language in fictional texts and the nature of human subjectivity, this book will appeal to students and scholars interested in the interface of language and music, in such areas as intermediality, multimodality, literary studies, critical theory, and modernist studies.

Zoltan Varga is Associate Professor of English Literature and Culture at Western Norway University of Applied Sciences, Norway.

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