Acting from Shakespeare's First Folio

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A01=Don Weingust
actor training techniques
Author_Don Weingust
authority
Bleeding Sergeant
Category=ATDC
Category=DDA
company
cue
Cue Scripts
dramatic verse analysis
early modern drama
Elizabethan theatre studies
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
F1 Act
F1 Technique
first folio acting methodology
Flatter Points
Flatter's Readings
Flatter's Work
Flatter’s Readings
Flatter’s Work
Folio Punctuation
Folio Texts
globe
Globe's Resident
Globe’s Resident
International Shakespeare's Globe Center
International Shakespeare’s Globe Center
London's Bankside
London’s Bankside
original
Original Shakespeare Company
performance theory
Peter Holland
Ralph Crane
Resident Companies
Richard Flatter
scripts
Shakespeare's Globe
Shakespeare's Theatre
shakespearean
Shakespearean Authority
Shakespearean Performance
Shakespearean Texts
shakespeares
Shakespeare’s Globe
Shakespeare’s Theatre
technique
texts
textual editing methods
Tucker's Work
Tucker’s Work
Verse
Verse Line

Product details

  • ISBN 9780415979160
  • Weight: 440g
  • Dimensions: 138 x 216mm
  • Publication Date: 20 Sep 2006
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Acting from Shakespeare's First Folio examines a series of techniques for reading and performing Shakespeare's plays that are based on the texts of the first ‘complete’ volume of Shakespeare's works: the First Folio of 1623.

Do extra syllables in a line suggest how it might be played? Can Folio commas reveal character? Don Weingust places this work on Folio performance possibility within current understandings about Shakespearean text, describing ways in which these challenging theories about acting often align quite nicely with the work of the theories' critics.

As part of this study, Weingust looks at the work of Patrick Tucker and his London-based Original Shakespeare Company, who have sought to discover the opportunities in using First Folio texts, acting techniques, and what they consider to be original Shakespearean performance methodologies. Weingust argues that their experimental performances at the Globe on Bankside have revealed enhanced possibilities not only for performing Shakespeare, but for theatrical practice in general.

Don Weingust is Assistant Professor of Drama at Tufts University, Medford, Massachusetts. He holds a PhD from the University of California at Berkeley and is a member of Actors Equity Association.

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