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Acting in the Night
1863
19th century
A01=Alexander Nemerov
abraham lincoln
acting
Age Group_Uncategorized
Age Group_Uncategorized
american art
american history
american life
american politics
art historians
Author_Alexander Nemerov
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Category1=Non-Fiction
Category=ATD
Category=CB
Category=DS
Category=NHK
civil war
civil war buffs
civil war era
COP=United States
Delivery_Delivery within 10-20 working days
democracy
discussion books
drama
dramatic
dramatic performance
english drama
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=2
eq_nobargain
eq_non-fiction
historical performances
Language_English
literary criticism
live arts
macbeth
PA=Available
performing arts
play performance
poetic consciousness
politics
Price_€50 to €100
PS=Active
shakespeare
softlaunch
technology
theatre
tragedy
united states
wallace stevens
washington dc
Product details
- ISBN 9780520251861
- Weight: 726g
- Dimensions: 152 x 229mm
- Publication Date: 01 Sep 2010
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Hardback
- Language: English
Delivery/Collection within 10-20 working days
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What can the performance of a single play on one specific night tell us about the world this event inhabited so briefly? Alexander Nemerov takes a performance of Macbeth in Washington, DC on October 17, 1863 - with Abraham Lincoln in attendance - to explore this question and illuminate American art, politics, technology, and life as it was being lived. Nemerov's inspiration is Wallace Stevens and his poem "Anecdote of the Jar", in which a single object organizes the wilderness around it in the consciousness of the poet. For Nemerov, that evening's performance of Macbeth reached across the tragedy of civil war to acknowledge the horrors and emptiness of a world it tried and ultimately failed to change.
Alexander Nemerov, Vincent Scully Professor of the History of Art at Yale University, is the author of Icons of Grief: Val Lewton's Home Front Pictures, The Body of Raphael Peale: Still Life and Selfhood, 1812-1824 (both from UC Press), and Frederick Remington and Turn-of-the-Century America.
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