Acting Shakespeare

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A01=Bertram Leon Joseph
Author_Bertram Leon Joseph
Bard's English
Bernard Miles
Bird's Eyes
Bird’s Eyes
Casting
Category=AFKP
Category=ATD
Category=ATDF
Category=DDA
Category=DSBD
Category=DSG
character embodiment methods
Coriolanus
Dead Man
drama shakespeare
dramatic speech analysis
Draw Back
Elizabethan playwright's poetry
Elizabethan theatre techniques
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eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Excellent Orator
Falstaff
Full Melody
Hamlet
Horrible Imaginings
John Bulwer
King Lear
Majesty's Attorney General
Majesty’s Attorney General
Measure for Measure
Metrical Pattern
Mock Castles
Mortifying Groans
Orator's Action
Orator’s Action
persuasive rhetoric study
poetic language interpretation
Pontic Sea
Prospero
ralph berry
Renaissance performance practice
Rhetorical Delivery
Richard II
Richard III
Sense Pattern
Shakespeare's Medium
Shakespeare’s Medium
Sidney's Sonnet
Sidney’s Sonnet
Sightless Couriers
Superb
The Tempest
theatre chorus
theatre production
Theatrical speech
Truthful Expression
unlocking Shakespearean verse for actors
Unstressed Syllables
Vice Versa
Young Man

Product details

  • ISBN 9781138792692
  • Weight: 580g
  • Dimensions: 156 x 234mm
  • Publication Date: 10 Jul 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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How did the actors for whom Shakespeare wrote his plays make his characters come to life, how did they convey his words? Can modern directors, actors, and even library readers of Shakespeare learn from them?

Creating character and making the Elizabethan playwright’s poetry compelling for the audience is a problem which has seldom been resolved in modern times. This book demonstrates the hard course a modern actor must follow to make real and truthful the words he speaks, and the action and emotion underlying them. With examples and simple exercises, this book helps with the preparation for the great task – providing the actor with a combination that unlocks the Bard's English. Starting with how theatrical speech was understood in Renaissance England, it looks at figures of speech, the powers of persuasion, and the passion and rhythm inherent in the language.

Bertram Leon, Joseph

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