Acting, Spectating, and the Unconscious

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A01=Maria Grazia Turri
A01=Maria Turri
Actor's Emotional Arousal
Actor’s Emotional Arousal
Age Group_Uncategorized
Age Group_Uncategorized
Alpha Function
alpha-function psychology
Aristotelian Theatre
Aristotle
Author_Maria Grazia Turri
Author_Maria Turri
automatic-update
Baby's Mind
Baby’s Mind
Bad Breast
Brecht
Category1=Non-Fiction
Category=AN
Category=ATD
Category=JMAF
catharsis in drama
Character's Feelings
Character’s Feelings
COP=United Kingdom
De Sainte Albine
Delivery_Delivery within 10-20 working days
Depressive Position
Diderot
Double Feeling
Dual Consciousness
Emotional Identification
emotional processing in performance
Emotionalists
Epic Theatre
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Freud's Grandson
Freud’s Grandson
Identification
Katharsis
Language_English
Le Fils Naturel
Luigi Riccoboni
object relations theory
PA=Available
Paranoid Schizoid Position
Plato
Price_€100 and above
PS=Active
Psychoanalysis
psychoanalytic theatre studies
Rat Man
Repressed Emotions
Rousseau
softlaunch
Spectatorship
Tragic Katharsis
Transference
transference dynamics
Transference Re-enactment
Unconscious Emotional
Unconscious Emotional Processing
Unconscious Phantasy
unconscious processes in theatrical identification
Unprocessed Emotions
Verfremdungseffekt
Von Held
Young Man

Product details

  • ISBN 9781138699243
  • Weight: 348g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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From Aristotle’s theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting.

Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from thinkers such as Brecht, Diderot, Rousseau and Plato, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience.

A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.

Maria Grazia Turri is an independent theatre scholar, and a psychiatrist at the University of Oxford. She completed her PhD in Drama at the University of Exeter in 2015. In her research, she applies psychoanalysis to the analysis of theatre processes.

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