Actor, Image, and Action

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A01=Rhonda Blair
Act III
actor training science
Adrienne Lecouvreur
affective
Affective Memory
alba
ALBA Emoting
american
Associative Parallels
Author_Rhonda Blair
Autobiographical Solo Performance
Category=AFKP
Category=ATDC
Category=JMR
Chopin
Chum
cognitive
cognitive processes in performance
Conceptual Blending
Core Consciousness
Current Cognitive Neuroscience
Damasio's Somatic Marker Hypothesis
Damasio’s Somatic Marker Hypothesis
embodied cognition
emoting
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Facial Emotional Expressiveness
Global Workspace Theory
Grade
imagination in acting
laboratory
Lee Strasberg
Maria Ouspenskaya
memory
MFA Student
Mirror Neurons
Neural Patterns
neurobiological emotion
neuroscience
performance psychology
physical theatre techniques
somatic
Somatic Marker Hypothesis
Stanislavsky's Thinking
Stanislavsky’s Thinking
Strasberg
Suzan Lori Parks
theatre
Vice Versa

Product details

  • ISBN 9780415774161
  • Weight: 460g
  • Dimensions: 138 x 216mm
  • Publication Date: 23 Nov 2007
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Actor, Image and Action is a 'new generation' approach to the craft of acting; the first full-length study of actor training using the insights of cognitive neuroscience. In a brilliant reassessment of both the practice and theory of acting, Rhonda Blair examines the physiological relationship between bodily action and emotional experience. In doing so she provides the latest step in Stanislavsky's attempts to help the actor 'reach the unconscious by conscious means'.

Recent developments in scientific thinking about the connections between biology and cognition require new ways of understanding many elements of human activity, including:

  • imagination
  • emotion
  • memory
  • physicality
  • reason.

The Actor, Image and Action looks at how these are in fact inseparable in the brain's structure and function, and their crucial importance to an actor’s engagement with a role. The book vastly improves our understanding of the actor's process and is a must for any actor or student of acting.

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