Actors and Audiences

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A01=Caroline Heim
Actor Audience Relationship
Aesthetic Relationship
Age Group_Uncategorized
Age Group_Uncategorized
audience engagement
Audience Interviews
Audience Members
Aura
Author_Caroline Heim
automatic-update
Autonomous Sensory Meridian Responses
Autopoetic
Category1=Non-Fiction
Category=ANC
Category=ATDC
Celebrity
Celebrity Magnetism
Celebrity Presence
Collective Effervescence
Communion
COP=United Kingdom
Curtain Call
Delivery_Pre-order
Deutsches Theater
Discussion
Double Consciousness
Durkheim's Collective Effervescence
Durkheim’s Collective Effervescence
Electric Air
emotional transference
empirical study of live theatre interaction
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
Feedback
Gernot Bohme
Grotowski
Intangible
Intermedial Theatre
Interviewed Audience Members
Language_English
PA=Temporarily unavailable
Peer Gynt
performance studies
Physical Atmosphere
Presence
Price_€100 and above
PS=Active
Psychological Conversations
Psychological Undercurrents
Qualitative
qualitative audience research
softlaunch
Stage Fright
stage presence analysis
theatre phenomenology
Traditional Theatre Productions
Virtual Atmosphere
Virtual Dimension
Young Man

Product details

  • ISBN 9781138210066
  • Weight: 550g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Mar 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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Actors and Audiences explores the exchanges between those on and off the stage that fill the atmosphere with energy and vitality. Caroline Heim utilises the concept of "electric air" to describe this phenomenon and discuss the charge of emotional electricity that heightens the audience’s senses in the theatre.

In order to understand this electric air, Heim draws from in-depth interviews with 79 professional audience members and 22 international stage and screen actors in the United Kingdom, United States, France and Germany. Tapping into the growing interest in empirical studies of the audience, this book documents experiences from three productions – The Encounter, Heisenberg and Hunger. Peer Gynt – to describe the nature of these conversations. The interviews disclose essential elements: transference, identification, projection, double consciousness, presence, stage fright and the suspension of disbelief. Ultimately Heim reveals that the heart of theatre is the relationship between those on- and off-stage, the way in which emotions and words create psychological conversations that pass through the fourth wall into an "in-between space," and the resulting electric air.

A fascinating introduction to a unique subject, this book provides a close examination of actor and audience perspectives, which is essential reading for students and academics of Theatre, Performance and Audience Studies.

Caroline Heim is a senior lecturer in Theatre at Queensland University of Technology, Australia.

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