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Adaptation
Adaptation Studies
Age Group_Uncategorized
Age Group_Uncategorized
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B01=Eva C. Karpinski
B01=Ewa Kbowska-awniczak
Balcony Scene
Biographical Subject
Bryan Talbot
Category1=Non-Fiction
Category=DSBH
Category=HPN
Category=JBCT
Category=JFD
Category=QDTN
COP=United Kingdom
Delivery_Pre-order
Discrepant Awareness
Early Medieval Literature
Ellmann’s Biography
eq_biography-true-stories
eq_isMigrated=2
eq_non-fiction
eq_society-politics
Hybrid Transtextualities
Intermedial Reference
Karate Kid
Kunqu Performance
Language_English
Main Characters
Metatextual Functions
Ormus Cama
PA=Not yet available
Price_€20 to €50
PS=Forthcoming
Shakespeare Films
Shakespeare’s Biography
Shakespeare’s Face
Shakespeare’s Life
Shakespeare’s Wife
Simon Palfrey
Sixteenth Century Costumes
softlaunch
Soul’s Departure
Tang Xianzu
Transtextual World-Building
transtextuality
Tv Series
Wherefore Art Thou Romeo
Young Man

Adaptation and Beyond

English

This interdisciplinary collection focuses on recent adaptations, both experimental and popular, that put hybridity, transtextuality, and transmediality at play. It reframes adaptation in terms of the transmedia concept of "world-building," which accurately captures the complexity and multidirectionality of contemporary scattered and ubiquitous practices of adaptation.

The editors argue that the process of moving stories or their elements across different media platforms and repurposing them for new uses results in the production of hybrid transtextualities. The book demonstrates how hybrid textualities augment narrative and literary forms as goals of their world-building, finding unexpected sites of cross-pollination, expansion, and appropriation in spoken-word and dance performance, (auto)biographical comics, advertising, Chinese Kun opera, and popular song lyrics. This yoking of hybridity and transmediality yields not only diversified and often commercialized aesthetic forms but also enables the emergence a unique cultural space in-between, a mezzaterra capable of addressing current political issues and mobilizing broader audiences

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€49.99
AdaptationAdaptation StudiesAge Group_Uncategorizedautomatic-updateB01=Eva C. KarpinskiB01=Ewa Kbowska-awniczakBalcony SceneBiographical SubjectBryan TalbotCategory1=Non-FictionCategory=DSBHCategory=HPNCategory=JBCTCategory=JFDCategory=QDTNCOP=United KingdomDelivery_Pre-orderDiscrepant AwarenessEarly Medieval LiteratureEllmann’s Biographyeq_biography-true-storieseq_isMigrated=2eq_non-fictioneq_society-politicsHybrid TranstextualitiesIntermedial ReferenceKarate KidKunqu PerformanceLanguage_EnglishMain CharactersMetatextual FunctionsOrmus CamaPA=Not yet availablePrice_€20 to €50PS=ForthcomingShakespeare FilmsShakespeare’s BiographyShakespeare’s FaceShakespeare’s LifeShakespeare’s WifeSimon PalfreySixteenth Century CostumessoftlaunchSoul’s DepartureTang XianzuTranstextual World-BuildingtranstextualityTv SeriesWherefore Art Thou RomeoYoung Man

Will deliver when available. Publication date 18 Dec 2024

Product Details
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Dec 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Language: English
  • ISBN13: 9781032565040

About

Eva C. Karpinski is Associate Professor in the School of Gender, Sexuality and Women’s Studies at York University in Toronto, Canada, where she teaches feminist theory, life writing, and translation studies. She has published over 40 articles and book chapters. She is the author of Borrowed Tongues: Life Writing, Migration, and Translation and co-author of Life Writing Outside the Lines: Gender and Genre in the Americas and, most recently, Translation, Semiotics, and Feminism: Selected Writings of Barbara Godard (Routledge 2022). She is Associate Editor of the journal a/b: Auto/Biography Studies.

Ewa Kębłowska-Ławniczak is Professor of English Literature and Comparative Studies at the University of Wrocław, Poland, where she teaches English literature and cultural and adaptation studies. She has published over 50 articles and book chapters. She is the author of Shakespeare and the Controversy Over Baroque, Visual Seen and Unseen: Insights into Tom Stoppard’s Art, From Concept-City to City Experience: A Study in Urban Drama (2013). She guest co-edited (with Jacek Fabiszak) a special issue of Journal of Adaptation in Film and Performance (vol. 14, no. 1, 2021) and has been editor-in-chief of Anglica Wratislaviensia (Poland) since 2013.

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