Adaptation Industry

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A01=Simone Murray
Adaptation Industry
Adaptation Studies
Arthouse Film
Author_Simone Murray
Bologna Children's Book Fair
Bologna Children’s Book Fair
book
Book Fair
booker
Booker Prize
BookExpo America
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Category=DSB
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Category=JBCT
Category=NH
cultural production
Edinburgh International Book Festival
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eq_history
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fair
film
Film Marketing
frankfurt
Frankfurt Book Fair
Hay Festival
intellectual property rights
literary prize impact
Literary Prizes
London Book Fair
Man Booker Prize
media convergence
michael
ondaatje
prize
publishing industry analysis
Random House Australia
Ruth Prawer Jhabvala
screen
Screen Industry
screenwriting profession
sociology of adaptation processes
Sony Pictures Classics
studies
UK Book
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Product details

  • ISBN 9780415999038
  • Weight: 500g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Aug 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process.

Simone Murray is Senior Lecturer in Communications and Media Studies at Monash University, Melbourne.

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