Regular price €31.99
A01=Anton Chekhov
A01=Bonnie Greer
A01=Dead Centre
A01=Inua Ellams
A01=Pan Pan Theatre
A01=RashDash
A01=Simon Stephens
A01=Vinay Patel
Andrew Scott play
Author_Anton Chekhov
Author_Bonnie Greer
Author_Dead Centre
Author_Inua Ellams
Author_Pan Pan Theatre
Author_RashDash
Author_Simon Stephens
Author_Vinay Patel
Category=DDA
Category=FYV
Cherry Orchard
decolonised theatre
diverse plays
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
The Seagull
Three Sisters
Uncle Vanya

Product details

  • ISBN 9781350501225
  • Weight: 619g
  • Dimensions: 156 x 234mm
  • Publication Date: 20 Feb 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Rediscover Anton Chekhov's acclaimed works in radical, creative new ways.

The Seagull, Uncle Vanya, Three Sisters and The Cherry Orchard: Chekhov's major plays have been perennially popular since the late 19th century. But, as a new wave of diverse, contemporary theatre makers engage with his legendary works, these classics are transformed and reimagined by bold new approaches. In doing so, Chekhov's original drama is not only explored but reanimated and interrogated in revolutionary ways.

From an ambitious one-person production, to a dance-poetry-play hybrid, to an intergalactic voyage, Chekhov’s work has never been so expansive or his experimental spirit so realised. This collection draws together seven contrasting adaptations, ranging from the formally inventive, to those that relocate the originals in times and places that expose forces of privilege and power.

With an introduction by Frances Babbage which equips the reader with key methods of conceptualising dramatic adaptation, as well as providing a critical overview of the long history of Chekhovian rewritings for the stage, Adapting Chekhov in the 21st Century is a much-needed tool for adaptation and theatre studies students and Chekhov enthusiasts alike.

Frances Babbage is Professor of Theatre and Performance at the University of Sheffield, UK. She has published widely on performance, adaptation and rewriting, with monographs including Adaptation in Contemporary Theatre (Methuen Drama, 2017) and Re-Visioning Myth: Modern and Contemporary Drama by Women (2011).