Adapting Sex on Screen

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A01=Julian Preece
Adapting Sex on Screen
AIDS crisis in film
Arthur Schnitzler
Author_Julian Preece
Category=ATF
Category=ATFA
Category=ATFB
Category=DS
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
film and literature adaptation
film censorship
Frank Wedekind
G.W. Pabst
Hollywood Hays Code
La Ronde
Leopold von Sacher-Masoch
LGBTQ+ representation
Lulu
marginalized voices
Max Ophuls
Nazi-era cinema
Roman Polanski
sexual adaptation
sexual themes in film
Venus in Furs
women in cinema

Product details

  • ISBN 9781350538139
  • Weight: 580g
  • Dimensions: 162 x 236mm
  • Publication Date: 30 Oct 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Hardback
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Sex has always been cinema’s most contested territory. Adapting Sex on Screen traces that battle through three once scandalous source texts: Leopold von Sacher-Masoch’s Venus in Furs (1870), Arthur Schnitzler’s La Ronde (1900), and Frank Wedekind’s Lulu plays (1895–1904), following the history of their reception from fin de siècle Central Europe to the USA in the twenty-first century, with a focus on their screen adaptations.

Julian Preece shows how directors such as Max Ophüls, G. W. Pabst, and Roman Polanski tested understanding of transgression, whether in the Weimar Republic, under the Hays Production Code, or in the shadow of AIDS and the wake of second-wave feminism. His broad international corpus ranges from heritage cinema to arthouse and exploitation to Hollywood, allowing him to explore the contradictions between commodification and critique, and chart evolving attitudes towards alternative sexualities and minorities. Preece blends adaptation and translation studies with transatlantic cultural history to show how filmmakers have both reflected and shaped social change, from the first Lulu film made in Germany in 1917 to the most recent La Ronde, made in New York precisely one hundred years later.

Julian Preece is Professor of German at Swansea University, UK. His previous books include The Lost Honour of Katharina Blum (BFI Film Classics, 2022) and (as editor) Andreas Dresen (Peter Lang, 2017). He is the editor of The Journal of European Studies and a fellow of the Learned Society of Wales.

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