A01=Scott MacDonald
african american
Author_Scott MacDonald
avant garde cinema
avant garde filmmakers
bennings
brakhage
Category=ATF
cinema
clive holden
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental cinema
exploitation
female empowerment
female sexuality
feminist porn
film
film history
filmmaking
gender
interviews
media
media studies
nature
nature film
nonfiction
performing arts
porn
pornography
sex work
sexuality
single shot film
women
Product details
- ISBN 9780520258563
- Weight: 590g
- Dimensions: 152 x 229mm
- Publication Date: 25 Aug 2009
- Publisher: University of California Press
- Publication City/Country: US
- Product Form: Paperback
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Over the past twenty-five years, Scott MacDonald's kaleidoscopic explorations of independent cinema have become the most important chronicle of avant-garde and experimental film in the United States. In this collection of thematically related personal essays and conversations with filmmakers, he takes us on a fascinating journey into many under-explored territories of cinema. MacDonald illuminates topics including race and avant-garde film, the political implications of the nature film, the inventive single shot films of the late 1960s and early 1970s, why men use pornography and what they are looking at when they do, poetry and the poetic in avant-garde film, the widespread failure of film studies academicians to honor those who keep film exhibition alive, and other topics. Several of the interviews - those with Korean filmmaker Gina Kim, French nature filmmakers Claude Nuridsany and Marie Perennou ("Microcosmos"), Canadian media artist Clive Holden, formalist/conceptualist David Gatten, and New York's Film Forum director Karen Cooper - are the first substantial conversations with these filmmakers available in English.
Scott MacDonald is author of the five volumes of the Critical Cinema series (UC Press), of Canyon Cinema: The Life and Times of an Independent Film Distributor (UC Press), and of several other books on avant-garde film. He is currently Visiting Professor of Film History at Hamilton College and at Harvard University.
