1600s
1700s
18th century
A01=Alexander Wragge-morley
A01=Alexander Wraggemorley
academic
aesthetics
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analysis
analytical
anatomical
Author_Alexander Wragge-morley
Author_Alexander Wraggemorley
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biographical
Category1=Non-Fiction
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Category=HBLH
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communication
COP=United States
critical
critique
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empiricism
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eq_history
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historical
history
hooke
john ray
knowledge
Language_English
london
modern
natural world
naturalist
nature
nehemiah grew
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renaissance
representation
research
robert boyle
royal society
scholarly
scientific
scientist
sensory
softlaunch
study
subjective
theoretical
theory
thomas willis
Product details
- ISBN 9780226680866
- Dimensions: 152 x 229mm
- Publication Date: 20 Apr 2020
- Publisher: The University of Chicago Press
- Publication City/Country: US
- Product Form: Paperback
- Language: English
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The scientists affiliated with the early Royal Society of London have long been regarded as forerunners of modern empiricism, rejecting the symbolic and moral goals of Renaissance natural history in favor of plainly representing the world as it really was. In Aesthetic Science, Alexander Wragge-Morley challenges this interpretation by arguing that key figures such as John Ray, Robert Boyle, Nehemiah Grew, Robert Hooke, and Thomas Willis saw the study of nature as an aesthetic project.
To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.
To show how early modern naturalists conceived of the interplay between sensory experience and the production of knowledge, Aesthetic Science explores natural-historical and anatomical works of the Royal Society through the lens of the aesthetic. By underscoring the importance of subjective experience to the communication of knowledge about nature, Wragge-Morley offers a groundbreaking reconsideration of scientific representation in the early modern period and brings to light the hitherto overlooked role of aesthetic experience in the history of the empirical sciences.
Alexander Wragge-Morley is a lecturer in the history of science and medicine at Lancaster University.
