Aesthetic Violence and Women in Film

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A01=Joseph Kupfer
Action Heroine
Aesthetic Violence
Aestheticized Violence
arts
Author_Joseph Kupfer
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cinematic hyper-violence
Cinematic Violence
crouching
Crouching Tiger
daggers
Django Unchained
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Female Action Hero
female protagonists in martial arts films
feminist film criticism
film studies theory
films
flying
Flying Daggers
gender representation cinema
Good Life
Hattori Hanzo
Hidden Dragon
Hilary Neroni
Jade Fox
Jen Wu
Joseph H. Kupfer
Kill Bill
martial
martial arts cinema analysis
Sand Hill Cranes
surrealistic
Surrealistic Violence
Television Series Twin Peaks
tiger
visual aesthetics action films
warrior
Women Warriors
wuxia
Wuxia Films
Wuxia Movie
Wuxia Pian
Young Man
Yuen Wo Ping
Zhang Ziyi

Product details

  • ISBN 9780415785518
  • Weight: 350g
  • Dimensions: 138 x 216mm
  • Publication Date: 27 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Aesthetic Violence and Women in Film is a highly readable and timely analysis of the intersection of two recent cinematic trends in martial arts films: aesthetic violence and warrior women.

Joseph Kupfer establishes specific categories of aesthetic film violence, including hyper-violence, a visual style that emphasizes the sensuous surface of physical destruction and surreal violence, when spectacular imagery and gravity-defying dance replace blood and gore. He then goes on to outline the ascendancy during the past decades of female characters to the status of hero in action films. Interweaving these two subjects, the book reveals how women warriors instigate and animate the models of aesthetic violence introduced. The hyper-violence of Kill Bill celebrates the triumphs of the Bride, whose maiming and dismemberment of enemies produce brilliant red plumes and silvered geysers of blood. The surrealistic violence in Crouching Tiger, Hidden Dragon and The House of Flying Daggers creatively elevates violence from earthbound mayhem to an enchanting aerial display of female-dominated acrobatics. Both film-stories are driven by the plight and aspirations of female combatants, suggesting an affinity between women and the transfiguration of fighting wrought by surrealistic violence.

By elevating the significance of violence in action films and linking it together with the growing popularity of central female characters in this genre, Aesthetic Violence and Women in Film will be of interest to students and scholars in film studies, popular culture, gender studies, aesthetics, and social philosophy.

Joseph H. Kupfer is University Professor Philosophy at Iowa State University, USA, where he teaches ethics, aesthetics, and medical ethics. Recent articles deal with virtue, sainthood, and philosophy in film. His previous book was Meta-Narrative in the Movies: Tell Me a Story (2014).

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