Aesthetics and Its Discontents

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A01=Jacques Ranciere
aesthetics
art
artistic
Author_Jacques Ranciere
boundaries
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concealing
cultural
discourse
distinction
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eq_nobargain
games
historical
identification
paradoxical
parasitic
practices
price
regime
social
stood
suppressing
yesterday

Product details

  • ISBN 9780745646312
  • Weight: 204g
  • Dimensions: 137 x 213mm
  • Publication Date: 17 Jul 2009
  • Publisher: John Wiley and Sons Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Aesthetics and Its Discontents

Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed.

But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution.

Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation.

This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.

Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris (St. Denis).

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