Aesthetics and Politics of Cinematic Pedestrianism

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A01=Asli Ozgen
Author_Asli Ozgen
Category=ATF
Category=JBCC
Category=JBCT
Category=NH
cinematic representations of urban walking
corporeal experience
de Certeau pedestrian acts
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
feminist film studies
film phenomenology
film theory
history of film
Lefebvre spatial analysis
philosophy media archaeology
urban spatial theory
urban studies

Product details

  • ISBN 9781041187127
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Aesthetics and Politics of Cinematic Pedestrianism: Walking in Films offers a rich exploration of the cinematic aesthetics that filmmakers devised to reflect the corporeal and affective experience of walking in the city. Drawing from literature in urban studies, film theory, and aesthetic philosophy, it is the first monograph to approach the history of cinema from the perspective of walking. A series of case studies providing nuanced analyses of widely referenced figures, such as the flaneur/flâneuse, vagabond, and nomad, reveal how filmmakers articulated their objection to repressive structures through depictions of walking: a common, everyday act yet transgressive, bold, and indomitable. Through the lens of Henri Lefebvre’s theory of space, Michel de Certeau’s concept of pedestrian acts, and Jacques Rancière’s treatment of the politics of aesthetics, Walking in Films traces how cinema evolved in conversation with the mobile body and the new images, styles, and techniques that emerged with it. Winner of the 2023 Best Book Award from the Amsterdam School of Cultural Analysis (ASCA).

Asli Özgen is film lecturer at the Media Studies, University of Amsterdam. She researches film historiography, with a particular interest in feminist and decolonial interventions, focusing on difficult pasts and contested film heritage.

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