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Aesthetics and the Philosophy of Art

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Aesthetic Attitude Theory
Aesthetic Emotion
Aesthetic Experience
Aesthetic Object
aesthetic perception
Aesthetic Qualities
Aesthetic Theory
art theory analysis
Artifactuality
Artist's Model
Artist’s Model
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Clive Bell
Collingwood's Account
Collingwood's Theory
Collingwood's View
Collingwood’s Account
Collingwood’s Theory
Collingwood’s View
comparative aesthetics
Contemporary Aesthetics
cross-cultural art philosophy perspectives
Epistemology
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Harold Osborne
Hold
Indian aesthetic traditions
Indian Aestheticians
Large Family
Mnemonic Image
Moore's Account
Moore's Ethics
Moore’s Account
Moore’s Ethics
moral philosophy in art
Moral Potency
Permanent Emotion
Pre-given Material
Rasa Experience
representation in visual culture
Repressed Wish
Ruskin's Prose
Ruskin’s Prose
T. R. Martland
Tragic Catharsis

Product details

  • ISBN 9780367529703
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 23 Jul 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Description

This volume brings together the finest research on aesthetics and the philosophy of art by stalwart critics and leading scholars in the field. It discusses various themes, such as the idea of aesthetic perception, the nature of aesthetic experience, attitude theory, the relation of art to morality, representation in art, and the association of aesthetics with language studies in the Indian tradition. It deliberates over the theories and views of Aristotle, Freud, Plato, Immanuel Kant, T. S. Eliot, George Dickie, Leo Tolstoy, R. G. Collingwood, Michael H. Mitias, Monroe C. Beardsley, and Abhinavagupta, among others. The book offers a comparative perspective on Indian and Western approaches to the study of art and aesthetics and enables readers to appreciate the similarities and differences between the conceptions of aesthetics and philosophy of art on a comparative scale detailing various aspects of both.

The first of its kind, this key text will be useful for scholars and researchers of arts and aesthetics, philosophy of art, cultural studies, comparative literature, and philosophy in general. It will also appeal to general readers interested in the philosophy of art.
About

Prabha Shankar Dwivedi is Assistant Professor of English in the Department of Humanities and Social Sciences at the Indian Institute of Technology (IIT) Tirupati, India.